An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - Počet stran: 300 |
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Výsledky 1-3 z 61
Strana 17
... raised by an object in distress , if that object did not give pain . We love what is agreeable ; we hate what is disa- greeable . Certain external objects instantaneously give us pleasure or pain ; a gently flowing river , a smooth ...
... raised by an object in distress , if that object did not give pain . We love what is agreeable ; we hate what is disa- greeable . Certain external objects instantaneously give us pleasure or pain ; a gently flowing river , a smooth ...
Strana 22
... raised by martial music are all of this nature : they have no object ; so also the grief or pity raised by melancholy music is without an object . In this consists also the extreme delight every one has in the histories of conquerors ...
... raised by martial music are all of this nature : they have no object ; so also the grief or pity raised by melancholy music is without an object . In this consists also the extreme delight every one has in the histories of conquerors ...
Strana 46
... raised by still life : it holds also in what are raised by the qualities , actions , and passions , of a sen- sible being . Love inspired by a fine woman assumes her qualities : it is sublime , soft , tender , severe , or gay ...
... raised by still life : it holds also in what are raised by the qualities , actions , and passions , of a sen- sible being . Love inspired by a fine woman assumes her qualities : it is sublime , soft , tender , severe , or gay ...
Obsah
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers