Keats's Shakespeare: A Descriptive Study Based on New MaterialH. Milford, Oxford University Press, 1928 - Počet stran: 178 |
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Výsledky 1-5 z 12
Strana 3
... Lear, Romeo and Juliet, Hamlet, and Othello, compared with volume i, is little marked but has been a great deal read, especially Romeo and Juliet, King Lear, and Othello, all entirely unmarked; of these three the first appears to have ...
... Lear, Romeo and Juliet, Hamlet, and Othello, compared with volume i, is little marked but has been a great deal read, especially Romeo and Juliet, King Lear, and Othello, all entirely unmarked; of these three the first appears to have ...
Strana 3
... Lear , Romeo and Juliet , Hamlet , and Othello , compared with volume i , is little marked but has been a great deal read , especially Romeo and Juliet , King Lear , and Othello , all entirely unmarked ; of these three the first appears ...
... Lear , Romeo and Juliet , Hamlet , and Othello , compared with volume i , is little marked but has been a great deal read , especially Romeo and Juliet , King Lear , and Othello , all entirely unmarked ; of these three the first appears ...
Strana 7
... Lear", " Othello", " Cymbeline", etc., is the poetry of human passions and affections, made almost ethereal by the power of the poet. Again, the poetry of "Richard", "John", and the Henries is the blending [of] the imaginative with the ...
... Lear", " Othello", " Cymbeline", etc., is the poetry of human passions and affections, made almost ethereal by the power of the poet. Again, the poetry of "Richard", "John", and the Henries is the blending [of] the imaginative with the ...
Strana 7
... Lear " , " Othello " , " Cymbeline " , etc. , is the poetry of human passions and affections , made almost ethereal by the power of the poet . Again , the poetry of " Richard " , " John " , and the Henries is the blending [ of ] the ...
... Lear " , " Othello " , " Cymbeline " , etc. , is the poetry of human passions and affections , made almost ethereal by the power of the poet . Again , the poetry of " Richard " , " John " , and the Henries is the blending [ of ] the ...
Strana 24
... her attitude to Fulvia , Other instances of this are in Troilus and Cressida in the folio edition ( see p . 46 below ) or the note in King Lear ( p . 43 below ) . ' the married woman ' , is marked down the 24 KEATS'S SHAKESPEARE.
... her attitude to Fulvia , Other instances of this are in Troilus and Cressida in the folio edition ( see p . 46 below ) or the note in King Lear ( p . 43 below ) . ' the married woman ' , is marked down the 24 KEATS'S SHAKESPEARE.
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Keats's Shakespeare: A Descriptive Study Based on New Material Caroline Frances Eleanor Spurgeon Zobrazení fragmentů - 1928 |
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Achil Agamemnon Antony and Cleopatra beauty breath Cæsar Caliban Char Charmian Cleo Cres death delight dost doth Duke ears earth Endymion Enter Euen euery Exeunt Exit eyes fair fairy fear folio edition giue Hampstead hand hath haue hear heart heaven Hect Hector hither imagination IRAS Isab Joseph Severn Keats KEATS'S NOTE Keats's script King Lear kiss letter lines look Lord loue Lucio marked master Measure for Measure Midsummer Night's Dream nature Nestor night PANDARUS passage Plate play Poems poet poetry Pros PROSPERO Puck queen Re-enter ARIEL SCENE Severn Shakespeare Shakespearian side-marks sleep sonnet soule sound speak speech spirit strange sweet Sycorax tell Tempest thee thine thing thou art thou hast thou shalt thought Tita Titania TITUS ANDRONICUS tongue Troilus and Cressida Troy underlined Vlis volume weep winds Winter's Tale
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Strana 69 - Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing of him that doth fade, But doth suffer a sea-change Into something rich and strange. Sea-nymphs hourly ring his knell: Hark! now I hear them, — ding-dong, bell.
Strana 56 - Some heavenly music, (which even now I do,) To work mine end upon their senses, that This airy charm is for, I'll break my staff, Bury it certain fathoms in the earth, And, deeper than did ever plummet sound, I'll drown my book.
Strana 60 - If by your art, my dearest father, you have Put the wild waters in this roar, allay them. The sky, it seems, would pour down stinking pitch, But that the sea, mounting to the welkin's cheek, Dashes the fire out.
Strana 75 - Be not afeard ; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometimes voices That, if I then had waked after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me, that, when I waked, I cried to dream again.
Strana 91 - I know a bank where the wild thyme blows, Where ox-lips and the nodding violet grows ; Quite over-canopied with luscious woodbine, With sweet musk-roses, and with eglantine...
Strana 26 - And sable curls all silver'd o'er with white, When lofty trees I see barren of leaves Which erst from heat did canopy the herd, And summer's green all girded up in sheaves Borne on the bier with white and bristly beard...
Strana 74 - I have broke your hest to say so ! Fer. Admir'd Miranda! Indeed, the top of admiration ; worth What's dearest to the world ! Full many a lady I have ey'd with best regard ; and many a time The harmony of their tongues hath into bondage Brought my too diligent ear...
Strana 110 - Be absolute for death ; either death, or life, Shall thereby be the sweeter. Reason thus with life : — If I do lose thee, I do lose a thing That none but fools would keep : a breath thou art, Servile to all the skyey influences, That dost this habitation, where thou keep'st, Hourly afflict.
Strana 69 - ARIEL'S song. Come unto these yellow sands, And then take hands: Courtsied when you have and kiss'd The wild waves whist, Foot it featly here and there; And, sweet sprites, the burthen bear. Hark, hark! Burthen [dispersedly, within The watch-dogs bark! Burthen Bow-wow Hark, hark! I hear The strain of strutting chanticleer Cry, Cock-a-diddle-dow. FERDINAND Where should this music be? i
Strana 111 - Dar'st thou die ? The sense of death is most in apprehension ; And the poor beetle, that we tread upon, In corporal sufferance finds a pang as great As when a giant dies.