Thy dread and sufferance be, there's comfort yet— Man. Patience and patience! Hence-that word was made For brutes of burthen, not for birds of prey; Preach it to mortals of a dust like thine,— I am not of thine order. C. Hun. Thanks to Heaven! I would not be of thine for the free fame Of William Tell; but, whatsoe'er thine ill, It must be borne, and these wild starts are useless. With the fierce thirst of death-and still unslaked! C. Hun. Why, on thy brow the seal of middle age Hath scarce been set; I am thine elder far. : Man. Think'st thou existence doth depend on time? Barren and cold, on which the wild waves break, But nothing rests, save carcasses and wrecks, Rocks, and the salt-surf weeds of bitterness. C. Hun. Alas! he's mad-but yet I must not leave him. Man. I would I were for then the things I see Would be but a distempered dream. C. Hun. What is it That thou dost see, or think thou look'st upon? Man. Myself and thee-a peasant of the Alps: The humble virtues, hospitable home, And spirit patient, pious, proud, and free; Thy self-respect, grafted on innocent thoughts; Thy days of health, and nights of sleep; thy toils, Of cheerful old age, and a quiet grave, It matters not-my soul was scorched already! C. Hun. And wouldst thou then exchange thy lot for mine! Man. No, friend! I would not wrong thee, nor exchange My lot with human being: I can bearHowever wretchedly, 'tis still to bear In life what others could not brook to dream, But perish in their slumber. This cautious feeling for another's pain, Canst thou be black with evil?—say not so. Can one of gentle thoughts have wreaked revenge Man. Oh, no, no, no! My injuries came down on those who loved me— An enemy, save in my just defence But my embrace was fatal. C. Hun. Heaven give thee rest! And penitence restore thee to thyself; My prayers shall be for thee. Man. I need them not, But can endure thy pity. I depart- 'Tis time-farewell!—Here's gold, and thanks for thee- I know my path-the mountain peril's past: FAZIO. MILMAN. [DEAN MILMAN'S "Fazio" had a singular fate. It was written while he was at Oxford, and was published soon after he had taken his first degree. One of the minor theatres seized upon it, and brought it out with success under the name of "The Italian Wife." The robbery was repeated at Covent Garden; and the managers had not even the decency to consult the author upon the matter, or to show him the slightest courtesy when it was crowned with the highest success in the performance of Miss O'Neill. These things are better regulated now. The story of Fazio is that of a poor man discovering and appropriating the treasure of one who is murdered. The possession of riches corrupts him; he leaves his wife, Bianca, for the caresses of a profligate woman; the wife, in the distraction of her wrongs, betrays to the Duke of Florence the appropriation of the hoarded gold; he is unjustly accused of the murder, and dies on the scaffold. The following scene exhibits Bianca's agony before she rushes to impeach her husband, in the sole idea that, being deprived of his fatal riches, he will be restored to her affections.] Bianca. Not all the night, not all the long, long night, I wander up and down these long arcades. That I should welcome my apostate Fazio, That thought; lest he should come, and find me mad, Oh that I were a child to play with toys, A moment to distract my busy spirit From its dark dalliance with that cursed image! "I know not," their coarse pity makes my heartstrings Nay, tell it with thy lips, not with thy visage. Speak it at once— Where? where I'll wring it from thy lips-Where? where? Piero. Lady, at the Marchesa Aldabella's. Bianca. Thou liest, false slave: 'twas at the Ducal Palace, 'Twas at the arsenal with the officers, "Twas with the old rich senator-him-him—him— The man with a brief name: 'twas gaming, dicing, "Twas anywhere but there-or, if it was, With thy black tidings-Nay, nay: good my friend; But he's not there: 'twas some one of the gallants, Thou wert mistaken :—no, no! 'twas not Fazio. Bianca. Hence hence! Avaunt, With thy cold courteous face! Thou seest I'm wretched: With all its throbs, its agonies.—O Fazio ! Hymn on the Seasons. THOMSON. [WE conclude this series of extracts, more especially fitted to awaken serious reflection, with a "Half-Hour" from one who was once,—and who, to a great extent, still is,—the most popular poet in our language. To be the most popu. lar poet, it is not necessary that he should be the highest; but still, there cannot be an enduring popularity without merit of the highest order. Truly, and in the spirit of a generous criticism, does Professor Wilson say, (and he, in his mature wisdom, is always generous,)—" Thomson, a great poet, poured his genius over a subject of universal interest; and the 'Seasons,' from that hour to this, then, now, and for ever,-have been, are, and will be, loved and admired by all the world."] These, as they change, Almighty Father, these |