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Ham. Into my grave.

Pol. Indeed, that is out o' the air.-How pregnant sometimes his replies are! a happiness that often madness hits on, which reason and sanity could not so prosperously be delivered of. I will leave him, and suddenly contrive the means of meeting between him and my daughter. My honourable lord, I will most humbly take my leave of you.

Ham. You cannot, sir, take from me any thing that I will more willingly part withal'; except my life, except my life, except my life. Pol. Fare you well, my lord. Ham. These tedious old fools!

Enter ROSENCRANTZ and GUILDENSTERN. Pol. You go to seek the lord Hamlet; there he is.

Ros. God save you, sir!

[To Polonius. [Exit Polonius.

Guil. My honour'd lord !— Ros. My most dear lord!Ham. My excellent good friends! How dost thou, Guildenstern? Ah, Rosencrantz! Good lads, how do ye both?

Ros. As the indifferent children of the earth. Guil. Happy, in that we are not over-happy; =On fortune's cap we are not the very button. Ham. Nor the soles of her shoe? Ros. Neither, my lord.

Ham. Then are our beggars, bodies; and our monarchs, and outstretch'd heroes, the beggars' shadows: Shall we to the court? for, by my fay, I cannot reason.

Ros. Guil. We'll wait upon you.

Ham. No such matter: I will not sort you with the rest of my servants; for, to speak to you like an honest man, I am most dreadfully attended. But, in the beaten way of friendship, what make you at Elsinore?

Ros. To visit you, my lord; no other occasion. Ham. Beggar that I am, I am even poor in thanks; but I thank you: and sure, dear friends, my thanks are too dear, a halfpenny. Were you not sent for? Is it your own inclining? Is it a free visitation? Come, come; deal justly with me: come, come; nay, speak. Guil. What should we say, my lord?

Ham. Any thing-but to the purpose. You were sent for; and there is a kind of confession in your looks, which your modesties have not craft enough to colour: I know, the good king and queen have sent for you.

Ros. To what end, my lord? Ham. That you must teach me. But let me conjure you, by the rights of our fellowship, by the consonancy of our youth, by the obligation of our ever-preserved love, and by what more dear a better proposer could charge you withal, be even and direct with me, whether you were

Ham. Then you live about her waist, or in sent for, or no? the middle of her favours?

Guil. 'Faith, her privates we.

Ros. What say you? [To Guildenstern. Ham. Nay, then I have an eye of you; [Aside.] most-if you love me, hold not off.

Ham. In the secret parts of fortune? O, true; she is a strumpet. What news? Ros. None, my lord; but that the world's grown honest.

Ham. Then is dooms-day near: But your news is not true. Let me question more in particular: What have you, my good friends, deserved at the hands of fortune, that she sends you to prison hither?

Guil. Prison, my
lord!

Ham. Denmark's a prison.
Ros. Then is the world one.

Ham. A goodly one; in which there are many confines, wards, and dungeons; Denmark being one of the worst.

Ros. We think not so, my lord. Ham. Why, then 'tis none to you; for there is nothing either good or bad, but thinking makes it so: to me it is a prison.

Ros. Why, then your ambition makes it one; 'tis too narrow for your mind.

Ham. O God! I could be bounded in a nutshell, and count myself a king of infinite space; were it not that I have bad dreams.

Guil. Which dreams, indeed, are ambition; for the very substance of the ambitious is merely the shadow of a dream.

Ham. A dream itself is but a shadow. Ros. Truly, and I hold ambition of so airy and light a quality, that it is but a shadow's shadow. VOL. II.

Guil. My lord, we were sent for.

Ham. I will tell you why; so shall my anticipation prevent your discovery, and your secrecy to the king and queen moult no feather. I have of late, (but, wherefore, I know not,) lost all my mirth, foregone all custom of exercises: and, indeed, it goes so heavily with my disposition, that this goodly frame, the earth, seems to me a steril promontory; this most excellent canopy, the air, look you, this brave o'er-hanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me, than a foul and pestilent congregation of vapours. What a piece of work is a man! How noble in reason! how infinite in faculties! in form, and moving, how express and admirable! in action, how like an angel! in apprehension, how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? man delights not me, nor woman neither; though, by your smiling,. you seem to say so.

Ros. My lord, there is no such stuff in my thoughts.

Ham. Why did you laugh then, when I said, Man delights not me?

Ros. To think, my lord, if you delight not in man, what lenten entertainment the players shall receive from you: we coted them on the

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way; and hither are they coming, to offer you | tent to the players, which, I tell you, must show service. fairly outward, should more appear like entertainment than yours. You are welcome: but my uncle-father, and aunt-mother, are deceived. Guil. In what, my dear lord?

Ham. He that plays the king, shall be welcome; his majesty shall have tribute of me: the adventurous knight shall use his foil, and target: the lover shall not sigh gratis; the humorous man shall end his part in peace: the clown shall make those laugh, whose lungs are tickled o' the sere; and the lady shall say her mind freely, or the blank verse shall halt for't. -What players are they?

Ros. Even those you were wont to take such delight in, the tragedians of the city.

Ham. How chances it, they travel? their residence, both in reputation and profit, was better both ways.

Ros. I think, their inhibition comes by the means of the late innovation.

Ham. Do they hold the same estimation they did when I was in the city? Are they so followed?

Ros. No indeed, they are not.

Ham. How comes it? Do they grow rusty? Ros. Nay, their endeavour keeps in the wonted pace: But there is, sir, an aiery of children, little eyases, that cry out on the top of question, and are most tyrannically clapped for't: these are now the fashion; and so berattle the common stages, (so they call them) that many, wearing rapiers, are afraid of goose quills, and dure scarce come thither.

Ham. What, are they children? who maintains them? how are they escoted? Will they pursue the quality no longer than they can sing? will they not say afterwards, if they should grow themselves to common players, (as it is most like, if their means are no better,) their writers do them wrong, to make them exclaim against their own succession?

Ros. 'Faith, there has been much to do on both sides; and the nation holds it no sin, to tarre them on to controversy: there was, for a while, no money bid for argument, unless the poet and the player went to cuffs in the question.

Ham. Is it possible?

Ham. I am but mad north-north west; when the wind is southerly, I know a hawk from a hand-saw.

Enter POLONIUS.

Pol. Well be with you, gentlemen!

Ham. Hark you, Guildenstern ;—and you, too;—at each ear a hearer: that great baby, you see there, is not yet out of his swaddlingclouts.

Ros. Happily, he's the second time come to them; for, they say, an old man is twice a child.

Ham. I will prophecy, he comes to tell me of the players; mark it.-You say right, sir: o'Monday morning; 'twas then, indeed.

Pol. My lord, I have news to tell you.
Ham. My lord, I have news to tell you. When
Roscius was an actor in Rome,

Pol. The actors are come hither, my lord.
Ham. Buz, buz!

Pol. Upon my honour,

Ham. Then came each actor on his ass,— Pol. The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral, scene individable, or poem unlimited: Seneca cannot be too heavy, nor Plautus too light. For the law of writ, and the liberty, these are the only men.

Ham. O Jephthah, judge of Israel,—what s treasure hadst thou!

Pol. What a treasure had he, my lord?
Ham. Why-One fair daughter, and no more,
The which he loved passing well.
Pol. Still on my daughter.
Aride
Ham. Am I not i'the right, old Jephthah?
Pol. If you call me Jephthah, my lord, I have
a daughter that I love passing well.
Ham. Nay, that follows not.

Pol. What follows then, my lord?
Ham. Why, As by lot, God wot, and then, you

Guil. O, there has been much throwing about know, It came to pass, As most like it was,―The

of brains.

Ham. Do the boys carry it away?

Ros. Ay, that they do, my lord; Hercules and his load too.

first row of the pious chanson will show you more; for look, my abridgment comes.

Enter four or five Players. Ham. It is not very strange : for my uncle is You are welcome, masters; welcome, all:-[ king of Denmark; and those, that would make am glad to see thee well:-welcome, good friends. mouths at him while my father lived, give twen--O, old friend! Why, thy face is valanced since ty, forty, fifty, an hundred ducats a-piece, for I saw thee last; Com'st thou to beard me in his picture in little. 'Sblood, there is something Denmark?-What! my young lady and misin this more than natural, if philosophy could tress! By-'r-lady, your ladyship is nearer to find it out. [Flourish of trumpets within. heaven, than when I saw you last, by the altiGuil. There are the players. tude of a chopine. Pray God, your voice, like Ham. Gentlemen, you are welcome to Elsi-a piece of uncurrent gold, be not cracked with nore. Your hands. Come then: the appurte- the ring.-Masters, you are all welcome. We nance of welcome is fashion and ceremony: let e'en to it like French falconers, fly at any thing me comply with you in this garb; lest my ex- we see: We'll have a speech straight: Com

give us a taste of your quality; come, a passion- Now falls on Priam.ate speech.

1 Play. What speech, my lord?

Ham. I heard thee speak me a speech once,but it was never acted; or, if it was, not above once for the play, I remember, pleased not the million; 'twas caviare to the general: but it was (as I received it, and others, whose judgments, in such matters, cried in the top of mine,) an excellent play; well digested in the scenes, set down with as much modesty as cunning. I - remember, one said, there were no sallets in the lines, to make the matter savoury; nor no mat=ter in the phrase, that might indite the author of affection: but called it, an honest method, as wholesome as sweet, and by very much more handsome than fine. One speech in it I chiefly loved: 'twas Æneas' tale to Dido; and thereabout of it especially, where he speaks of Priam's slaughter: If it live in your memory, begin at this line; let me see, let me see;

The rugged Pyrrhus, like the Hyrcanian beast,—
'tis not so; it begins with Pyrrhus.
The rugged Pyrrhus,-he, whose sable arms,
Black as his purpose, did the night resemble,
When he lay couched in the ominous horse,
Hath now this dread and black complexion smear'd
With heraldry more dismal; head to foot
Now is he total gules; horridly trick'd
With blood of fathers, mothers, daughters, sons;
Bak'd and impasted with the parching streets,
That lend a tyrannous and a damned light
To their lord's murder: Roasted in wrath, and
fire,

Aud thus o'er-sized with coagulate gore,
With eyes like carbuncles, the hellish Pyrrhus
Old grandsire Priam seeks ;-So proceed you.
Pol. 'Fore God, my lord, well spoken; with
good accent, and good discretion.

1 Play. Anon he finds him
Striking too short at Greeks; his antique sword,
Rebellious to his arm, lies where it falls,
Repugnant to command: Unequal match'd,
Pyrrhus at Priam drives; in rage, strikes wide;
But with the whiff and wind of his fell sword
The unnerved father falls. Then senseless Ilium,
Seeming to feel this blow, with flaming top
Stoops to his base; and with a hideous crash
Takes prisoner Pyrrhus' ear: for, lo! his sword
Which was declining on the milky head
Of reverend Priam, seem'd in the air to stick :
So, as a painted tyrant, Pyrrhus stood;
And, like a neutral to his will and matter,
Did nothing.

But, as we often see, against some storm,
A silence in the heavens, the rack stands still,
The bold wind speechless, and the orb below
As hush as death: anon the dreadful thunder
Doth rend the region: So, after Pyrrhus' pause,
A roused vengeance sets him new a work;
And never did the Cyclops' hammers fall
On Mars's armour, forg'd for proof eterne,
With less remorse than Pyrrhus' bleeding sword

Out, out, thou strumpet, Fortune! All you gods, In general synod, take away her power; Break all the spokes and fellies from her wheel, And bowl the round nave down the hill of heaven, As low as to the fiends!

Pol. This is too long.

Ham. It shall to the barber's, with your beard.-Pr'ythee, say on:-He's for a jig, or a tale of bawdry, or he sleeps:-say on:

to Hecuba.

come

1 Play. But who, ah woe! had seen the mobled queen

Ham. The mobled queen?

Pol. That's good; mobled queen is good. 1 Play. Run barefoot up and down, threat'ning the flames

With bisson rheum; a clout upon that head,
Where late the diadem stood; and, for a robe,
About her lank and all o'er-teeming loins,
A blanket, in the alarm of fear caught up;
Who this had seen, with tongue in venom steep'd,
'Gainst fortune's state would treason have pro-
nounc'd:

But if the gods themselves did see her then,
When she saw Pyrrhus make malicious sport
In mincing with his sword her husband's limbs ;
The instant burst of clamour that she made,
(Unless things mortal move them not at all,)
Would have made milch the burning eye of heaven,
And passion in the gods.

Pol. Look, whether he has not turned his colour, and has tears in's eyes.-Pr'ythee, no

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Ros. Good my lord!

[Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you :-Now I am alone.

O, what a rogue and peasant slave am I !
Is it not monstrous, that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit,
That from her working, all his visage wann'd;
Tears in his eyes, distraction in's aspect,
A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing!
For Hecuba!

What's Hecuba to him, or he to Hecuba,
That he should weep for her? What would he do,
Had he the motive and the cue for passion,
That I have? He would drown the stage with
tears,

And cleave the general ear with horrid speech;
Make mad the guilty, and appal the free,
Confound the ignorant; and amaze, indeed,
The very faculties of eyes and ears.
Yet I,

A dull and muddy-mettled rascal, peak,
Like John a-dreams, unpregnant of my cause,
And can say nothing; no, not for a king,
Upon whose property, and most dear life,
A damn'd defeat was made. Am I a coward?
Who calls me villain? breaks my pate across?
Plucks off my beard, and blows it in my face?
Tweaks me by the nose? gives me the lie i'the
throat,

As deep as to the lungs? Who does me this?
Ha!

Why, I should take it: for it cannot be,
But I am pigeon-liver'd, and lack gall
To make oppression bitter; or, ere this,
I should have fatted all the region kites
With this slave's offal: Bloody, bawdy villain!
Remorseless, treacherous, lecherous, kindless
villain !

Why, what an ass am I? This is most brave;
That I, the son of a dear father murder'd,
Prompted to my revenge by heaven and hell,
Must, like a whore, unpack my heart with words,
And fall a cursing, like a very drab,
A scullion!

Fye upon't! foh! About my brains! Humph!
I have heard,

That guilty creatures, sitting at a play,
Have by the very cunning of the scene
Been struck so to the soul, that presently
They have proclaim'd their malefactions;
For murder, though it have no tongue, will speak
With most miraculous organ. I'll have these
players

Play something like the murder of my father,
Before mine uncle: I'll observe his looks;
I'll tent him to the quick; if he do blench,
I know my course. The spirit, that I have seen,
May be a devil; and the devil hath power
To assume a pleasing shape; yea, and, perhaps
Out of my weakness, and my melancholy,
(As he is very potent with such spirits,)
Abuses me to damn me: I'll have grounds
More relative than this: The play's the thing,
Wherein I'll catch the conscience of the king.

[Ex

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Will bring him to his wonted way again,
To both your honours.

Oph. Madam, I wish it may. [Exit Queen.
Pol. Ophelia, walk you here:-Gracious, so
please you,

We will bestow ourselves :-Read on this book;
[To Ophelia.
That show of such an exercise may colour
Your loneliness.-We are oft to blame in this,
Tis too much prov'd,—that, with devotion's
visage,

And pious action, we do sugar o'er
The devil himself.

King. O, 'tis too true! how smart

A lash that speech doth give my conscience!
The harlot's cheek, beautied with plast'ring art,
Is not more ugly to the thing that helps it,
Than is my deed to my most painted word:
O heavy burden!

[Aside. Pol. I hear him coming; let's withdraw, my lord. [Exeunt King, and Polonius.

Enter HAMLET.

But that the dread of something after death,-
The undiscover'd country, from whose bourn
No traveller returns,-puzzles the will;
And makes us rather bear those ills we have,
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought;
And enterprizes of great pith and moment,
With this regard, their currents turn awry,
And lose the name of action.-Soft you, now!
The fair Ophelia :-Nymph, in thy orisons
Be all my sins remember'd.

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Take these again; for to the noble mind,
Rich gifts wax poor, when givers prove unkind. {
There, my lord.

Ham. Ha, ha! are you honest?
Oph. My lord?

Ham. Are you fair?

Oph. What means your lordship?

Ham. That if you be honest, and fair, you

Ham. To be, or not to be, that is the ques- should admit no discourse to your beauty.

tion:

Whether 'tis nobler in the mind, to suffer
The slings and arrows of outrageous fortune;
Or to take arms against a sea of troubles,
And, by opposing, end them?-To die,-to
sleep,-

No more ;—and, by a sleep, to say we end
The heart-ach, and the thousand natural shocks
That flesh is heir too,-tis a consummation
Devoutly to be wish'd. To die,-to sleep ;-
To sleep! perchance to dream ;-ay, there's the
rub;

For in that sleep of death what dreams may

come,

When we have shuffled off this mortal coil,
Must give us pause: There's the respect,
That makes calamity of so long life:

For who would bear the whips and scorns of
time,

The oppressor's wrong, the proud man's con-
tumely,

The pangs of despis'd love, the law's delay,
The insolence of office, and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life;

Oph. Could beauty, my lord, have better commerce than with honesty?

Ham. Ay, truly; for the power of beauty will sooner transform honesty from what it is to a bawd, than the force of honesty can translate beauty into his likeness; this was some time a paradox, but now the time gives it proof. I did love you once.

SO.

Oph. Indeed, my lord, you made me believe

Ham. You should not have believed me; for virtue cannot so inoculate our old stock, but we shall relish of it: I loved you not.

Oph. I was the more deceived.

Ham. Get thee to a nunnery; why would'st thou be a breeder of sinners? I am myself indifferent honest; but yet I could accuse me of such things, that it were better, my mother had not borne me: I am very proud, revengeful, ambitious; with more offences at my beck, than I have thoughts to put them in, imagination to give them shape, or time to act them in: What should such fellows as I do crawling between earth and heaven! We are arrant knaves, all; believe none of us: Go thy ways to a nunnery. Where's your father?

Oph. At home, my lord.

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