Tennyson: The Critical HeritageJohn Davies Jump Routledge & K. Paul, 1967 - Počet stran: 464 |
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Strana 136
... Keats , without the later judgment of that extraordinary genius , and of a turn of mind less naturally and thoroughly given to poetry , in its essence . But there can be no doubt that he is a genuine poet too in his degree ( a sacred ...
... Keats , without the later judgment of that extraordinary genius , and of a turn of mind less naturally and thoroughly given to poetry , in its essence . But there can be no doubt that he is a genuine poet too in his degree ( a sacred ...
Strana 174
... Keats nor Wordsworth could have written , combining the honest sensuous observation which is common to them both , with a self - restrained simplicity which Keats did not live long enough to attain , and a stately and accurate melody ...
... Keats nor Wordsworth could have written , combining the honest sensuous observation which is common to them both , with a self - restrained simplicity which Keats did not live long enough to attain , and a stately and accurate melody ...
Strana 233
... Keats and Shelley . The kind of readers he addresses is , as we observed , the same : a sort of intellectual sentiment pervades his works as well as theirs : the superficial resem- blances of the works of all the three are many . But ...
... Keats and Shelley . The kind of readers he addresses is , as we observed , the same : a sort of intellectual sentiment pervades his works as well as theirs : the superficial resem- blances of the works of all the three are many . But ...
Obsah
W J FOX on Poems Chiefly Lyrical 1830 1831 | 21 |
A H HALLAM on Poems Chiefly Lyrical 1830 1831 | 34 |
CHRISTOPHER NORTH on Poems Chiefly Lyrical | 50 |
Autorská práva | |
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admiration Æneid Alfred Alfred de Musset Alfred Tennyson Arthur Arthurian artist beauty called character charm colour criticism death deep delight delineation doubt dream emotion English Enoch Arden expression exquisite eyes faith fancy feeling garden genius Gerard Manley Hopkins give Guinevere heart Homer hope human idea ideal Idylls imagination intellect Keats kind King King Arthur Lady of Shalott Lancelot language less lines living Locksley Hall Lord Tennyson lyrical Maud means melody Memoriam mind mood moral nature never night noble object once Palace of Art Parnassian passages passion peculiar perfect perhaps picture poet poet's poetic poetry present Princess Queen Quotes readers seems sense Shakespeare Shelley Simeon Stylites song soul speak spirit stanza story style sweet Swinburne things Thomas Mallory thought tion touch true truth verse Vivien voice volume whole words Wordsworth write