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CHARACTER WRITINGS OF THE

Bo charaches within 1667 - 9

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ུ་ཅི་འབྱུང། །

Waffeld

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SAMUEL BUTLER, 24f1.

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Author of "Hudibras," who died in 1680, also exercised his wit in Character writing. When Butler's Remains were published in two volumes in 1759 by R. Thyer, Keeper of the Public Library of Manchester, 460 pages of the second volume, (all the volume except forty or fifty pages of "Thoughts on Various Subjects,") was occupied by a collection of 120 Characters that he had written. I close this volume of "Character Writings of the Seventeenth Century" with as many of Samuel Butler's Characters as the book has room for,-none are wittier-space being left for one Character by a poet of our own century, Wordsworth's "Character of the Happy Warrior," to bring us to a happy close.

CHARACTERS.

BY SAMUEL BUTLER.

A DEGENERATE NOBLE; OR, ONE THAT IS PROUD
OF HIS BIRTH,

Is like a turnip, there is nothing good of him but that which is
underground; or rhubarb, a contemptible shrub that springs from
a noble root. He has no more title to the worth and virtue of
his ancestors than the worms that were engendered in their dead
bodies, and yet he believes he has enough to exempt himself and
his posterity from all things of that nature for ever. This makes
him glory in the antiquity of his family, as if his nobility were the
better the further off it is, in time as well as desert, from that of
his predecessors. He believes the honour that was left him as
well as the estate is sufficient to support his quality without
troubling himself to purchase any more of his own; and he

meddles as little with the management of the one as the other, but trusts both to the government of his servants, by whom he is equally cheated in both. He supposes the empty title of honour sufficient to serve his turn, though he has spent the substance and reality of it, like the fellow that sold his ass but would not part with the shadow of it; or Apicius, that sold his house, and kept only the balcony to see and be seen in. And because he is privileged from being arrested for his debts, supposes he has the same freedom from all obligations he owes humanity and his country, because he is not punishable for his ignorance and want of honour, no more than poverty or unskilfulness is in other professions, which the law supposes to be punishment enough to itself. He is like a fanatic, that contents himself with the mere title of a saint, and makes that his privilege to act all manner of wickedness; or the ruins of a noble structure, of which there is nothing left but the foundation, and that obscured and buried under the rubbish of the superstructure. The living honour of

his ancestors is long ago departed, dead and gone, and his is but the ghost and shadow of it, that haunts the house with horror and disquiet where once it lived. His nobility is truly descended from the glory of his forefathers, and may be rightly said to fall to him, for it will never rise again to the height it was in them by his means, and he succeeds them as candles do the office of the sun. The confidence of nobility has rendered him ignoble, as the opinion of wealth makes some men poor, and as those that are born to estates neglect industry and have no business but to spend, so he being born to honour believes he is no further concerned than to consume and waste it. He is but a copy, and so ill done that there is no line of the original in him but the sin only. He is like a word that by ill-custom and mistake has utterly lost the sense of that from which it was derived, and now signifies quite contrary; for the glory of noble ancestors will not permit the good or bad of their posterity to be obscure. He values himself only upon his title, which being only verbal gives him a wrong account of his natural capacity, for the same words signify more or less, according as they are applied to things, as

ordinary and extraordinary do at court; and sometimes the greater sound has the less sense, as in accounts, though four be more than three, yet a third in proportion is more than a fourth.

A HUFFING COURTIER

His

Is a cipher, that has no value himself but from the place he stands in. All his happiness consists in the opinion he believes others have of it. This is his faith, but as it is heretical and erroneous, though he suffer much tribulation for it, he continues. obstinate, and not to be convinced. He flutters up and down like a butterfly in a garden, and while he is pruning of his peruke takes occasion to contemplate his legs and the symmetry of his breeches. He is part of the furniture of the rooms, and serves for a walking picture, a moving piece of arras. business is only to be seen, and he performs it with admirable industry, placing himself always in the best light, looking wonderfully politic, and cautious whom he mixes withal. His occupation is to show his clothes, and if they could but walk themselves they would save him the labour and do his work as well as himself. His immunity from varlets is his freehold, and he were a lost man without it. His clothes are but his tailor's livery, which he gives him, for 'tis ten to one he never pays for them. He is very careful to discover the lining of his coat, that you may not suspect any want of integrity or flaw in him from the skin outwards. His tailor is his creator, and makes him of nothing; and though he lives by faith in him, he is perpetually committing iniquities against him. His soul dwells in the outside of him, like that of a hollow tree, and if you do but peel the bark off him he deceases immediately. His carriage of himself wearing of his clothes, and, like the cinnamon tree, his bark is better than his body. His looking big is rather a tumour than greatness. He is an idol that has just so much value as other men give him that believe in him, but none of his own. He makes his ignorance pass for reserve, and, like a hunting-nag, leaps over what he cannot get through. He has just so much of politics as hostlers in the university have Latin. He is as humble

as a Jesuit to his superior, but repays himself again in insolence over those that are below him, and with a generous scorn despises those that can neither do him good nor hurt. He adores those that may do him good, though he knows they never will, and despises those that would not hurt him if they could. The court is his church, and he believes as that believes, and cries up and down everything as he finds it pass there. It is a great comfort to him to think that some who do not know him may perhaps take him for a lord, and while that thought lasts he looks bigger than usual and forgets his acquaintance, and that's the reason why he will sometimes know you and sometimes not. Nothing but want of money or credit puts him in mind that he is mortal, but then he trusts Providence that somebody will trust him, and in expectation of that hopes for a better life, and that his debts will never rise up in judgment against him. To get in debt is to labour in his vocation, but to pay is to forfeit his protection, for what's that worth to one that owes nothing? His employment being only to wear his clothes, the whole account of his life and actions is recorded in shopkeepers' books, that are his faithful historiographers to their own posterity; and he believes he loses so much reputation as he pays off his debts, and that no man wears his clothes in fashion that pays for them, for nothing is further from the mode. He believes that he that runs in debt is beforehand with those that trust him, and only those that pay are behind. His brains are turned giddy, like one that walks on the top of a house, and that's the reason it is so troublesome to him to look downwards. He is a kind of spectrum, and his clothes are the shape he takes to appear and walk in, and when he puts them off he vanishes. He runs as busily out of one room into another as a great practiser does in Westminster Hall from one court to another. When he accosts a lady he puts both ends of his microcosm in motion, by making legs at one end and combing his peruke at the other. His garniture is the sauce to his clothes, and he walks in his port cannons like one that stalks in long grass. Every motion of him cries "Vanity of vanities, all is vanity, quoth the preacher." He rides himself like a well

managed horse, reins in his neck, and walks terra-terra. He carries his elbows backward, as if he were pinioned like a trussed-up fowl, and moves as stiff as if he was upon the spit. His legs are stuck in his great voluminous breeches like the whistles in a bagpipe, those abundant breeches in which his nether parts are not clothed but packed up. His hat has been long in a consumption of the fashion, and is now almost worn to nothing; if it do not recover quickly it will grow too little for a head of garlic. He wears garniture on the toes of his shoes to justify his pretensions to the gout, or such other malady that for the time being is most in fashion or request. When he salutes a friend he pulls off his hat, as women do their vizard-masks. His ribbons are of the true complexion of his mind, a kind of painted cloud or gaudy rainbow, that has no colour of itself but what it borrows from reflection. He is as tender of his clothes as a coward is of his flesh, and as loth to have them disordered. His bravery is all his happiness, and, like Atlas, he carries his heaven on his back. He is like the golden fleece, a fine outside He is a monster or an Indian creature, that

He puts him

on a sheep's back. is good for nothing in the world but to be seen. self up into a sedan, like a fiddle in a case, and is taken out again for the ladies to play upon, who, when they have done with him, let down his treble-string till they are in the humour again. His cook and valet de chambre conspire to dress dinner and him so punctually together that the one may not be ready before the other. As peacocks and ostriches have the gaudiest and finest feathers, yet cannot fly, so all his bravery is to flutter only. The beggars call him "my lord," and he takes them at their words and pays them for it. If you praise him, he is so true and faithful to the mode that he never fails to make you a present of himself, and will not be refused, though you know not what to do with him when you have him.

A COURT BEGGAR

Waits at Court, as a dog does under a table, to catch what falls, or force it from his fellows if he can. When a man is in a fair

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