 | 1834 - 614 str.
...the last three years of our school education,) he shewed no mercy to phrase, metaphor, or imagery, unsupported by a sound sense, or where the same sense...muses. and inspirations. — Pegasus, Parnassus, and Hippocrene were all an abomination to him. In fancy, I can almost hear him now exclaiming, — " Harp... | |
 | John Iliff Wilson - 1821 - 348 str.
...causes. In our English compositions (at least for the last three years of our school education) he shewed no mercy to phrase, metaphor, or image, unsupported...muses, and inspirations, — Pegasus, Parnassus, and Hippocrene, were all an abomination to him. In fancy I can almost hear him now exclaiming, — Harp... | |
 | 1822 - 666 str.
...fugitive causes. In our English compositions, for the last three years of our school education, he shewed no mercy to phrase, metaphor, or image, unsupported...dignity in plainer words. Lute, harp, and lyre, muse and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him." — " There... | |
 | 1820 - 474 str.
...our own English compositions (at least for the last three years of our school education) he shewed no mercy to phrase, metaphor, or image, unsupported...been conveyed with equal force and dignity in plainer 172 THF, EARLY LIFK OK A POUT. words. Lute, harp, and lyre, muse, muses, and inspirations, Pegasus,... | |
 | Samuel Taylor Coleridge - 1829 - 575 str.
...for the last three years of our school education) be showed no mercy to phrase, image, or metaphor, unsupported by a sound sense, or where the same sense...and lyre, muse, muses, and inspirations — Pegasus, I'uruassus and Hippocrene, were all an abomination to him. In fancy, 1 can almost bear him now exclaiming—... | |
 | 1822 - 666 str.
...fugitive causes. In our English compositions, for the last three years of our school education, he shewed no mercy to phrase, metaphor, or image, unsupported...dignity in plainer words. Lute, harp, and lyre, muse and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him." — " There... | |
 | Samuel Taylor Coleridge - 1831 - 628 str.
...complex, and dependent on more and more fugitive causes. In our English compositions (at least for Grigg image, or metaphor, unsupported by a sound sense, or where the same sense might have been conveyed... | |
 | Samuel Taylor Coleridge - 1834 - 360 str.
...the peculiar fitness of the word in the original text. In our own English compositions, (at least for the last three years of our school education,) he...Parnassus, and Hipocrene, were all an abomination tojiim. In fancy, I can almost hear him now, exclaiming, " Harp ? Harp 1 Lyre 1 Pen and ink, boy, you... | |
 | William Trollope - 1834 - 538 str.
...complex, and dependant upon more and more fugitive causes. In our English compositions (at least for the last three years of our school education) he showed...dignity in plainer words. Lute, harp, and lyre, muse, * See the list of Grecians at the end of the biographical chapter. T muses and inspirations, — Pegasus,... | |
 | 1834 - 734 str.
...years of our school education) he showed 12 no mercy to phrase, metaphor, or image, unsupported by sound sense, or where the same sense might have been...muse, muses, and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him. In fancy, I can almost bear him DOW exclaiming — " J/arp>... | |
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In our own English compositions, (at least for the last three years of our school education), he showed no mercy to phrase, metaphor, or image, unsupported by a sound sense, or where the same sense might have been conveyed with equal force and dignity... 
