Henry V"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: |
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Výsledky 1-5 z 41
Strana 30
239. my] me State. deare] *deere Qt+. Parke,] Qq., State— Evans, Pool., Rid. park: Wynd. park. Kit. park; The rest. Merry Wives, V.v.122 f., "I will always count you my deer." — Pooler (ed. 191 1): Borrowed by Waller, On a Girdle, 1.
239. my] me State. deare] *deere Qt+. Parke,] Qq., State— Evans, Pool., Rid. park: Wynd. park. Kit. park; The rest. Merry Wives, V.v.122 f., "I will always count you my deer." — Pooler (ed. 191 1): Borrowed by Waller, On a Girdle, 1.
Strana 34
leaps] Boswell (ed. 1821) notes the pronunciation leps (riming with steps), which he says is retained in Ireland. [Borrowed by Wyndham (ed. 1898).] — Rolfe (ed. 1883) points out the rime leapireap in Sonnet 128 (5, 7). 280.
leaps] Boswell (ed. 1821) notes the pronunciation leps (riming with steps), which he says is retained in Ireland. [Borrowed by Wyndham (ed. 1898).] — Rolfe (ed. 1883) points out the rime leapireap in Sonnet 128 (5, 7). 280.
Strana 46
402. touch] Schmidt (1875): Come in contact with in any manner. — Craig (ed. 1905): Shakespeare may have written "To 'proach" or "To approach." 405.] Cf. 1. 129. Tis much to borrow, and I will not owe it, 46 VENUS AND ADONIS.
402. touch] Schmidt (1875): Come in contact with in any manner. — Craig (ed. 1905): Shakespeare may have written "To 'proach" or "To approach." 405.] Cf. 1. 129. Tis much to borrow, and I will not owe it, 46 VENUS AND ADONIS.
Strana 47
Tis much to borrow, and I will not owe it, 411 My loue to loue, is loue, but to difgrace it, For I haue heard, it is a life in death, That laughs and weeps, and all but with a breath. 70 Who weares a garment fhapeleffe and vnfinifht?
Tis much to borrow, and I will not owe it, 411 My loue to loue, is loue, but to difgrace it, For I haue heard, it is a life in death, That laughs and weeps, and all but with a breath. 70 Who weares a garment fhapeleffe and vnfinifht?
Strana 50
says that scholars have cited only four instances (the last being especially dubious) of Milton's borrowing from Venus and Lucrece. These are 11. 456 and 956 f. of Venus as compared with Paradise Lost, X, 698 ("stormy gust and flaw"), ...
says that scholars have cited only four instances (the last being especially dubious) of Milton's borrowing from Venus and Lucrece. These are 11. 456 and 956 f. of Venus as compared with Paradise Lost, X, 698 ("stormy gust and flaw"), ...
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Obsah
xi | |
xvii | |
9 | |
109 | |
THE PASSIONATE PILGRIME | 265 |
The Phoenix and the Turtle | 323 |
A Lovers Complaint | 333 |
THE TEXTS | 369 |
GENERAL CRITICISM OF VENUS AND ADONIS AND LUCRECE | 476 |
THE TITLE | 524 |
THE TEXTS | 525 |
WILLIAM JAGGARD HEYWOOD AND SHAKESPERE | 533 |
DATE AND AUTHENTICITY | 538 |
THE TEXTS | 559 |
AUTHENTICITY | 561 |
THE DATE OF COMPOSITION | 563 |
The Date of Composition | 384 |
The Sources Scholarly Opinion | 390 |
Selections from Goldings Ovid 1567 | 401 |
Selection from Spenser | 404 |
THE TEXTS | 406 |
THE DATE OF COMPOSITION | 413 |
SCHOLARLY OPINION | 416 |
SELECTION FROM LIVY | 427 |
SELECTION FROM OVID | 430 |
SELECTION FROM CHAUCER | 432 |
SELECTION FROM PAINTER | 437 |
JOHN QUARLESS TARQUIN BANISHED | 439 |
THE VOGUE OF VENUS AND ADONIS AND LUCRECE | 447 |
CRITICISM | 564 |
INTERPRETATION | 566 |
THE METER | 583 |
THE TEXTS | 584 |
SCHOLARLY OPINION AND CRITICISM BEFORE 1912 | 585 |
SCHOLARLY OPINION AND CRITICISM AFTER 1912 | 596 |
THE COTESBENSON EDITION OF SHAKESPEARES POEMS 1640 | 604 |
MUSICAL SETTINGS FOR THE POEMS | 610 |
LIST OF BOOKS | 622 |
INDEX OF FIRST LINES | 633 |
INDEX TO THE COMMENTARY AND THE APPENDIX | 634 |
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Barnfield beauty Bell borrowed Bull Capell Chaucer cites Coll Collier compares conj copy death doth Dyce edition Elizabethan England's Helicon English euerie Evans eyes felfe Feuillerat fhee Folger fweet Gild Glossary Grosart's hath haue heart Herf Hero and Leander Huds Hyphened Jaggard Ktly lines Lint Livy London loue Love's Love's Labour's Lost Lover's Complaint Lucrece's Lucretia Lvcrece Lysons Malone Malone ed Malone's Marlowe's meaning Neils night Ovid Ovid's passion Passionate Pilgrim Phoenix plays poet poetic Pool Pooler printed quotes quoth Rape of Lucrece reprinted rest Romeo and Juliet says Schmidt Sh.'s Poems Shakespeare Shee Songs Sonnets stanza State—Evans Steevens story Tarquin tears Textual Notes thee thou thought Titus Andronicus Turtle Venus and Adonis Venus and Lucrece verses vpon William Sh words Wynd Wyndham Yale youth
Oblíbené pasáže
Strana 21 - Her voice was ever soft, Gentle, and low, — an excellent thing in woman.
Strana 135 - Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace. With Tarquin's ravishing strides, towards his design Moves like a ghost.
Strana 477 - It has been before observed that images, however beautiful, though faithfully copied from nature, and as accurately represented in words, do not of themselves characterize the poet. They become proofs of original genius only as far as they are modified by a predominant passion; or by associated thoughts or images awakened by that passion...
Strana 97 - A lover's eyes will gaze an eagle blind; A lover's ear will hear the lowest sound, When the suspicious head of theft is stopp'd; Love's feeling is more soft, and sensible, Than are the tender horns of cockled snails...
Strana 477 - I may hazard such an expression, the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst, that though the very subject cannot but detract from the pleasure of a delicate mind, yet never was poem less dangerous on a moral account.
Strana 476 - But the sense of musical delight, with the power of producing it, is a gift of imagination ; and this together with the power of reducing multitude into unity of effect, and modifying a series of thoughts by some one predominant thought or feeling, may be cultivated and improved, but can never be learned.
Strana 478 - No man was ever yet a great poet without being at the same time a profound philosopher.
Strana 525 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this ; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers