The Appropriation and Critique of the Romance Novel, Film, and Fashion in Irmgard Keun's Weimar Prose: Humor, Intertextuality, and Popular DiscourseUniversity of Minnesota, 1999 - Počet stran: 210 |
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Strana 8
... visual images of the cinema which were reinforced by fashion magazines and the illustrated press and the influence of popular cabaret tunes . I interpret Keun's work as a critique of the deceptiveness of these visual images and story ...
... visual images of the cinema which were reinforced by fashion magazines and the illustrated press and the influence of popular cabaret tunes . I interpret Keun's work as a critique of the deceptiveness of these visual images and story ...
Strana 22
... visual and visual pleasure , Keun simultaneously parodies the writer as elitist intellectual , challenges traditional genre definitions , and exposes the misleading myths of love and romance circulated by the scripts of popular films ...
... visual and visual pleasure , Keun simultaneously parodies the writer as elitist intellectual , challenges traditional genre definitions , and exposes the misleading myths of love and romance circulated by the scripts of popular films ...
Strana 109
... visual images . Doris finds that she has gone too far with her manipulative sensuality ; she has administered her boss an overdose of her sensuous glances and body language . Though Lensing does not consider this scene humorous , I find ...
... visual images . Doris finds that she has gone too far with her manipulative sensuality ; she has administered her boss an overdose of her sensuous glances and body language . Though Lensing does not consider this scene humorous , I find ...
Obsah
Plot Summaries | 10 |
Defining Humor | 13 |
Humor Laughter and Carnival | 16 |
Autorská práva | |
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The Appropriation and Critique of the Romance Novel, Film, and Fashion in ... Lorna Sopcak Zobrazení fragmentů - 1999 |
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Barnard becomes behavior Behrend Berlin Bildungsroman blond Blue Angel cabaret carnival Clayton and Rothstein clothing communicate Conrad Veidt context critical critique cultural Der blaue Engel describes desire discourse Doris Doris's dress einmal Elegante emphasis added Ernst expression fantasy fashion fashion journals female film frame Frau Greif Fräulein Täschler Friedrich Hollaender gaze gender genre Gesicht Gilgi habe Hanne Hebbel's heute hübsch Hulla humor identity illustrates includes intertextuality Irmgard Keun irony jetzt Jonny journal Judith Kabarett Keun's Kleid kommt Kongress tanzt Kristeva kunstseidene Mädchen Leben Lenchen Leute Liebe der Matrosen liegt literary Lola machen macht Mann Marlene Dietrich Martin modern movie muß Nancy Walker narrative novel performance perspective Poiret popular protagonist reader reveals revue role romance romance novel scene Schiller's schön scripts Siegfried Kracauer Simmel social status story theater traditional Varieté viel vielleicht visual Wallensteins Wallensteins Lager weiß wieder woman women writing Ypsi