Tragicomedy: Its Origin and Development in Italy, France, and England

according action actually ancient appears argument Aristotle audience become begins better brings brother brought called characters chorus Christian Terence Cinthio classical close comedy comes comic critical daughter dead death disguise drama duke early Elizabethan England English enters Epitia example fact faithful falls father finally Fletcher follows French gives Guarini hand happy ending hero heroine honor husband important introduced Italian Italy Joseph killed kind king leave lovers manner marry matter Merope moral named never noble nymphs offers opens Pastor fido pastoral pastoral tragicomedy Plautus play plot poet Poetics Polifonte popular practice presented prince princess prison prologue promises punishment queen remarked returns romantic sacred satyric says scene Senecan serious servant shepherds sixteenth century soliloquy stage story style tells theory traditional tragedy tragic tragicomedy tragicomic tries true turn villain wife young