Left of the Color Line: Race, Radicalism, and Twentieth-century Literature of the United States

Přední strana obálky
Bill Mullen, James Edward Smethurst
Univ of North Carolina Press, 2003 - Počet stran: 331
This collection of fifteen new essays explores the impact of the organized Left and Leftist theory on American literature and culture from the 1920s to the present. In particular, the contributors explore the participation of writers and intellectuals on
 

Obsah

Modernism and the Aesthetics of Management or T S Eliots Labor Literature
13
The Bureau Reads Claude McKay
39
The Specter of Radicalism in Alain Lockes The New Negro
67
W E B Du Bois Dark Princess and the AfroAsian International
87
Regionalism Transnationalism and Internationalism in Tejano War Poetry from the Mexican Revolution to World War II
107
Black Marxism and Jewish Communists through the Eyes of Harold Cruse
141
The Drafts of Invisible Man
163
Black Women Write the Popular Front
183
Harry Belafonte and American Culture in the 1950s
223
Resistance and Revolution in Asian Pacific American WorkingClass and LeftWing Expressive Culture
239
New York the Left and the Rise of Black Arts
259
Adornos Negative Dialectics and Chicano Cultural Criticism
279
Radical Scholarship and the Legacy of the American Volunteers in Spain
299
Contributors
315
Index
319
Autorská práva

Don West Reinvents the Appalachian
205

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O autorovi (2003)

Bill V. Mullen is professor of English and co-coordinator of American studies at the University of Texas at San Antonio. He is author of Popular Fronts: Chicago and African American Cultural Politics, 1935-1946.

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