Love's Labour's LostManchester University Press, 1993 - Počet stran: 137 Though Love's Labour's Lost was performed throughout Shakespeare's active career, the play then disappeared from the British stage for almost two hundred years. Today, however, its popularity is high, both with theatre critics and audiences. In this study, Miriam Gilbert focuses primarily on six productions: on the Elizabethan stage, on the Victorian Stage, the Peter Brooke and John Barton productions at Stratford-upon-Avon, Michael Kahn's 1968 staging in America and the 1984 BBC television version. The relationships between the productions receive special attention. Over the years, productions have stressed the darker side of the play, as actors, directors and critics have found Love's Labour's Lost a more subtle and complex play than early commentators might suggest. |
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Strana 67
... King and his men leave , we hear her exhaled breath of irritation . The hostility evident between Navarre and the Princess thus leads to her mixture of disbelief and amusement when Boyet , after the King's departure , speaks of the King's ...
... King and his men leave , we hear her exhaled breath of irritation . The hostility evident between Navarre and the Princess thus leads to her mixture of disbelief and amusement when Boyet , after the King's departure , speaks of the King's ...
Strana 99
... King and then , with the help of the letter , Boyet plays directly to her , " The catastrophe is a nuptial : on whose side ? the king's ' ( IV.i.77-8 ) , teasing her about her thoughts . Her cross away from the bench where Boyet has ...
... King and then , with the help of the letter , Boyet plays directly to her , " The catastrophe is a nuptial : on whose side ? the king's ' ( IV.i.77-8 ) , teasing her about her thoughts . Her cross away from the bench where Boyet has ...
Strana 100
... King's invitation , ' We came to visit you , and purpose now / To lead you to our court ' ( V.ii.344-5 ) , both produc- tions jump to the King's line ' O ! you have liv'd in desolation here ' ( V.ii.357 ) and to the conversation about ...
... King's invitation , ' We came to visit you , and purpose now / To lead you to our court ' ( V.ii.344-5 ) , both produc- tions jump to the King's line ' O ! you have liv'd in desolation here ' ( V.ii.357 ) and to the conversation about ...
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