Love's Labour's LostManchester University Press, 1993 - Počet stran: 137 Though Love's Labour's Lost was performed throughout Shakespeare's active career, the play then disappeared from the British stage for almost two hundred years. Today, however, its popularity is high, both with theatre critics and audiences. In this study, Miriam Gilbert focuses primarily on six productions: on the Elizabethan stage, on the Victorian Stage, the Peter Brooke and John Barton productions at Stratford-upon-Avon, Michael Kahn's 1968 staging in America and the 1984 BBC television version. The relationships between the productions receive special attention. Over the years, productions have stressed the darker side of the play, as actors, directors and critics have found Love's Labour's Lost a more subtle and complex play than early commentators might suggest. |
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Strana 9
Miriam Gilbert. become hidden as he wishes . Moreover , the characters are so absorbed in their own problems that it looks entirely feasible for them not to see the person or persons already on stage . Only Berowne has enough distance ...
Miriam Gilbert. become hidden as he wishes . Moreover , the characters are so absorbed in their own problems that it looks entirely feasible for them not to see the person or persons already on stage . Only Berowne has enough distance ...
Strana 59
... become four scenes . Moshinsky changes not merely the narra- tive pace but the visual pace as well , moving from the cool , off- white , high - windowed look of the library to the reds , browns , and over - stuffed appearance of ...
... become four scenes . Moshinsky changes not merely the narra- tive pace but the visual pace as well , moving from the cool , off- white , high - windowed look of the library to the reds , browns , and over - stuffed appearance of ...
Strana 64
... become so excited by the action of the previous scene that they have to move from their poses . While most of the ... becomes visual as well , since he enters from screen right and crosses in front of Boyet , physically invading his ...
... become so excited by the action of the previous scene that they have to move from their poses . While most of the ... becomes visual as well , since he enters from screen right and crosses in front of Boyet , physically invading his ...
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