Love's Labour's LostManchester University Press, 1993 - Počet stran: 137 Though Love's Labour's Lost was performed throughout Shakespeare's active career, the play then disappeared from the British stage for almost two hundred years. Today, however, its popularity is high, both with theatre critics and audiences. In this study, Miriam Gilbert focuses primarily on six productions: on the Elizabethan stage, on the Victorian Stage, the Peter Brooke and John Barton productions at Stratford-upon-Avon, Michael Kahn's 1968 staging in America and the 1984 BBC television version. The relationships between the productions receive special attention. Over the years, productions have stressed the darker side of the play, as actors, directors and critics have found Love's Labour's Lost a more subtle and complex play than early commentators might suggest. |
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Strana 32
... effects for the entrance of the Ghost by using a series of lighting effects : a dark stage at the beginning , then a ... effect of the production seems to have derived from stage pictures created by the actors themselves . The King of ...
... effects for the entrance of the Ghost by using a series of lighting effects : a dark stage at the beginning , then a ... effect of the production seems to have derived from stage pictures created by the actors themselves . The King of ...
Strana 35
... effect of the play and the praise for the director's ability to create a strong company are motifs that will turn up repeatedly in later responses to productions ( Holding , passim ) . Similarly , the delight in the comic characters ...
... effect of the play and the praise for the director's ability to create a strong company are motifs that will turn up repeatedly in later responses to productions ( Holding , passim ) . Similarly , the delight in the comic characters ...
Strana 38
... effect is significant since it indicates the principal moods that productions of the play would present in the first forty - five years of the twentieth century . Yet gradually , and occasionally , directors and critics found moments ...
... effect is significant since it indicates the principal moods that productions of the play would present in the first forty - five years of the twentieth century . Yet gradually , and occasionally , directors and critics found moments ...
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