Love's Labour's LostManchester University Press, 1993 - Počet stran: 137 Though Love's Labour's Lost was performed throughout Shakespeare's active career, the play then disappeared from the British stage for almost two hundred years. Today, however, its popularity is high, both with theatre critics and audiences. In this study, Miriam Gilbert focuses primarily on six productions: on the Elizabethan stage, on the Victorian Stage, the Peter Brooke and John Barton productions at Stratford-upon-Avon, Michael Kahn's 1968 staging in America and the 1984 BBC television version. The relationships between the productions receive special attention. Over the years, productions have stressed the darker side of the play, as actors, directors and critics have found Love's Labour's Lost a more subtle and complex play than early commentators might suggest. |
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Strana 4
... emphasise the education of young men , but none insists that the growing - up process must take place before the woman , or women , will accept a marriage proposal . Even Bassanio , whom many have suspected of fortune - hunting as well ...
... emphasise the education of young men , but none insists that the growing - up process must take place before the woman , or women , will accept a marriage proposal . Even Bassanio , whom many have suspected of fortune - hunting as well ...
Strana 47
... emphasised the irony of the men breaking their oath in the very same place where they had originally signed the oath . Almost forty years later , the BBC production would make exactly the same choice , beginning the play in a library ...
... emphasised the irony of the men breaking their oath in the very same place where they had originally signed the oath . Almost forty years later , the BBC production would make exactly the same choice , beginning the play in a library ...
Strana 106
... emphasised by the pert , quick - witted Moth of Jo James - trim , dark - haired , and totally self - possessed - while Armado is untidy , greying , and constantly at a loss for the right thing to do or say . Barbara Hodgdon's notes on ...
... emphasised by the pert , quick - witted Moth of Jo James - trim , dark - haired , and totally self - possessed - while Armado is untidy , greying , and constantly at a loss for the right thing to do or say . Barbara Hodgdon's notes on ...
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1965 production actors appear Armado Armado's letter audience Barton Barton's 1978 production Beatles Berowne Berowne and Rosaline Berowne's Biron Boyet Brook's production Carmen Du Sautoy century characters comedy comic Costard costumes court courtiers created curtain David directors downstage dressed Dull Dumaine and Longaville elegant emphasised feelings final scene Guthrie Holofernes I.ii II.i III.i implies IV.i IV.iii Jaquenetta John Barton's Kahn Kahn's Katharine King King's ladies language lines look Love's Labour's Lost Madame Vestris Marcade Marcade's entrance Maria Maureen Lipman Michael Moshinsky Moshinsky's Moth move Muscovites Navarre Nine Worthies oath offstage overhearing scene Pageant paintings performance perhaps Peter Brook Phelps Phelps's platform play's Pompey praise Princess prompt book Ralph Koltai reading reveal Rosaline Rosaline's Royal Shakespeare Theatre Sadler's Samuel Phelps seems sense Shakespeare's plays Sir Nathaniel speech stage Stratford Stratford-upon-Avon suggests television theatre tion tone upstage V.ii visual Watteau witty women words young