Love's Labour's LostManchester University Press, 1993 - Počet stran: 137 Though Love's Labour's Lost was performed throughout Shakespeare's active career, the play then disappeared from the British stage for almost two hundred years. Today, however, its popularity is high, both with theatre critics and audiences. In this study, Miriam Gilbert focuses primarily on six productions: on the Elizabethan stage, on the Victorian Stage, the Peter Brooke and John Barton productions at Stratford-upon-Avon, Michael Kahn's 1968 staging in America and the 1984 BBC television version. The relationships between the productions receive special attention. Over the years, productions have stressed the darker side of the play, as actors, directors and critics have found Love's Labour's Lost a more subtle and complex play than early commentators might suggest. |
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Strana 16
... implies the latter , denying her virginity ( albeit in the context of trying to wriggle out of the accusation by ... implying that he knows her to be sexually forthcoming . In addition to Costard's sexual puns , he is also remarkable ...
... implies the latter , denying her virginity ( albeit in the context of trying to wriggle out of the accusation by ... implying that he knows her to be sexually forthcoming . In addition to Costard's sexual puns , he is also remarkable ...
Strana 67
... implies very gently that she is not at all used to such a role . When the King comes in , the speed of her replies to his polite greetings implicitly reminds him that words are much less polite than instant accommodation would be . Her ...
... implies very gently that she is not at all used to such a role . When the King comes in , the speed of her replies to his polite greetings implicitly reminds him that words are much less polite than instant accommodation would be . Her ...
Strana 68
... implying a particular interest . Moshinsky cuts their second series of one - liners , thus leaving out Berowne's ... implies that he realises he will have to do something to show her he is serious , but Gwilym's tone also conveys the ...
... implying a particular interest . Moshinsky cuts their second series of one - liners , thus leaving out Berowne's ... implies that he realises he will have to do something to show her he is serious , but Gwilym's tone also conveys the ...
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1965 production actors appear Armado Armado's letter audience Barton Barton's 1978 production Beatles Berowne Berowne and Rosaline Berowne's Biron Boyet Brook's production Carmen Du Sautoy century characters comedy comic Costard costumes court courtiers created curtain David directors downstage dressed Dull Dumaine and Longaville elegant emphasised feelings final scene Guthrie Holofernes I.ii II.i III.i implies IV.i IV.iii Jaquenetta John Barton's Kahn Kahn's Katharine King King's ladies language lines look Love's Labour's Lost Madame Vestris Marcade Marcade's entrance Maria Maureen Lipman Michael Moshinsky Moshinsky's Moth move Muscovites Navarre Nine Worthies oath offstage overhearing scene Pageant paintings performance perhaps Peter Brook Phelps Phelps's platform play's Pompey praise Princess prompt book Ralph Koltai reading reveal Rosaline Rosaline's Royal Shakespeare Theatre Sadler's Samuel Phelps seems sense Shakespeare's plays Sir Nathaniel speech stage Stratford Stratford-upon-Avon suggests television theatre tion tone upstage V.ii visual Watteau witty women words young