Love's Labour's LostManchester University Press, 1993 - Počet stran: 137 Though Love's Labour's Lost was performed throughout Shakespeare's active career, the play then disappeared from the British stage for almost two hundred years. Today, however, its popularity is high, both with theatre critics and audiences. In this study, Miriam Gilbert focuses primarily on six productions: on the Elizabethan stage, on the Victorian Stage, the Peter Brooke and John Barton productions at Stratford-upon-Avon, Michael Kahn's 1968 staging in America and the 1984 BBC television version. The relationships between the productions receive special attention. Over the years, productions have stressed the darker side of the play, as actors, directors and critics have found Love's Labour's Lost a more subtle and complex play than early commentators might suggest. |
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Strana vi
... performance , may enlarge their understanding of the text and be- gin , too , to appreciate some of the ways in which practical considerations influence the meanings a production incorporates : the stage the actor plays on , the acting ...
... performance , may enlarge their understanding of the text and be- gin , too , to appreciate some of the ways in which practical considerations influence the meanings a production incorporates : the stage the actor plays on , the acting ...
Strana 6
... performance occurred in 1605 , this time before King James and Queen Anne , again at Christmas - time . But the play was by then obviously a revival , something suggested by Burbage as full of ' wit and mirth ' ( cf. Lamb , p . 51 ) ...
... performance occurred in 1605 , this time before King James and Queen Anne , again at Christmas - time . But the play was by then obviously a revival , something suggested by Burbage as full of ' wit and mirth ' ( cf. Lamb , p . 51 ) ...
Strana 80
... performance ' is exactly the point . Longaville cares more for his performance than for Maria . And Dumaine's performance , also with a hand - held microphone , is even more extravagant , according to the promptbook : Dumaine violently ...
... performance ' is exactly the point . Longaville cares more for his performance than for Maria . And Dumaine's performance , also with a hand - held microphone , is even more extravagant , according to the promptbook : Dumaine violently ...
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