Love's Labour's LostManchester University Press, 1993 - Počet stran: 137 Though Love's Labour's Lost was performed throughout Shakespeare's active career, the play then disappeared from the British stage for almost two hundred years. Today, however, its popularity is high, both with theatre critics and audiences. In this study, Miriam Gilbert focuses primarily on six productions: on the Elizabethan stage, on the Victorian Stage, the Peter Brooke and John Barton productions at Stratford-upon-Avon, Michael Kahn's 1968 staging in America and the 1984 BBC television version. The relationships between the productions receive special attention. Over the years, productions have stressed the darker side of the play, as actors, directors and critics have found Love's Labour's Lost a more subtle and complex play than early commentators might suggest. |
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Strana 3
... perhaps for Costard , who mis - delivers letters given him by Berowne and Armado . But most of these characters are so sensitive to language , and the games one can play with it , that Nathaniel's description of Dull , ' He hath not eat ...
... perhaps for Costard , who mis - delivers letters given him by Berowne and Armado . But most of these characters are so sensitive to language , and the games one can play with it , that Nathaniel's description of Dull , ' He hath not eat ...
Strana 11
... Perhaps they brought in yet other pieces of costume or perhaps some decorative props for the final songs , the dialogue between the Owl and the Cuckoo , but nothing in the text specifically insists on more spectacle . Still , if an ...
... Perhaps they brought in yet other pieces of costume or perhaps some decorative props for the final songs , the dialogue between the Owl and the Cuckoo , but nothing in the text specifically insists on more spectacle . Still , if an ...
Strana 18
... Perhaps Tofte is offering an objective description of the audience's reaction , or perhaps he wishes to emphasise his own reaction , ' Whilst tragic - like to me it did befall ' , as a way of persuading his lady - love to pity him . His ...
... Perhaps Tofte is offering an objective description of the audience's reaction , or perhaps he wishes to emphasise his own reaction , ' Whilst tragic - like to me it did befall ' , as a way of persuading his lady - love to pity him . His ...
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1965 production actors appear Armado Armado's letter audience Barton Barton's 1978 production Beatles Berowne Berowne and Rosaline Berowne's Biron Boyet Brook's production Carmen Du Sautoy century characters comedy comic Costard costumes court courtiers created curtain David directors downstage dressed Dull Dumaine and Longaville elegant emphasised feelings final scene Guthrie Holofernes I.ii II.i III.i implies IV.i IV.iii Jaquenetta John Barton's Kahn Kahn's Katharine King King's ladies language lines look Love's Labour's Lost Madame Vestris Marcade Marcade's entrance Maria Maureen Lipman Michael Moshinsky Moshinsky's Moth move Muscovites Navarre Nine Worthies oath offstage overhearing scene Pageant paintings performance perhaps Peter Brook Phelps Phelps's platform play's Pompey praise Princess prompt book Ralph Koltai reading reveal Rosaline Rosaline's Royal Shakespeare Theatre Sadler's Samuel Phelps seems sense Shakespeare's plays Sir Nathaniel speech stage Stratford Stratford-upon-Avon suggests television theatre tion tone upstage V.ii visual Watteau witty women words young