Love's Labour's LostManchester University Press, 1993 - Počet stran: 137 Though Love's Labour's Lost was performed throughout Shakespeare's active career, the play then disappeared from the British stage for almost two hundred years. Today, however, its popularity is high, both with theatre critics and audiences. In this study, Miriam Gilbert focuses primarily on six productions: on the Elizabethan stage, on the Victorian Stage, the Peter Brooke and John Barton productions at Stratford-upon-Avon, Michael Kahn's 1968 staging in America and the 1984 BBC television version. The relationships between the productions receive special attention. Over the years, productions have stressed the darker side of the play, as actors, directors and critics have found Love's Labour's Lost a more subtle and complex play than early commentators might suggest. |
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Strana 7
... stage without any additional construction or properties . Otherwise , nothing specific in the way of stage decor is indicated . Although the Princess fusses about the fact that the King will not allow her inside his gates , nothing in ...
... stage without any additional construction or properties . Otherwise , nothing specific in the way of stage decor is indicated . Although the Princess fusses about the fact that the King will not allow her inside his gates , nothing in ...
Strana 109
... stage world in a simple but effective way . A large rectangu- lar platform of greyish wood , edged with brown , is the main acting area . It is , almost literally , a stage , and since it is slightly raked , people have to step up on to ...
... stage world in a simple but effective way . A large rectangu- lar platform of greyish wood , edged with brown , is the main acting area . It is , almost literally , a stage , and since it is slightly raked , people have to step up on to ...
Strana 110
Miriam Gilbert. gives us , in scene after scene , the men stage right and the women , balancing them , stage left . Yet this ' empty space ' is also surrounded by a wonderfully real , and lovely , wooded park . The two worlds intersect ...
Miriam Gilbert. gives us , in scene after scene , the men stage right and the women , balancing them , stage left . Yet this ' empty space ' is also surrounded by a wonderfully real , and lovely , wooded park . The two worlds intersect ...
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