Love's Labour's LostManchester University Press, 1993 - Počet stran: 137 Though Love's Labour's Lost was performed throughout Shakespeare's active career, the play then disappeared from the British stage for almost two hundred years. Today, however, its popularity is high, both with theatre critics and audiences. In this study, Miriam Gilbert focuses primarily on six productions: on the Elizabethan stage, on the Victorian Stage, the Peter Brooke and John Barton productions at Stratford-upon-Avon, Michael Kahn's 1968 staging in America and the 1984 BBC television version. The relationships between the productions receive special attention. Over the years, productions have stressed the darker side of the play, as actors, directors and critics have found Love's Labour's Lost a more subtle and complex play than early commentators might suggest. |
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Strana 8
... tree ' ( Henslowe's Diary , p . 319 ) which allows for the possibility that Berowne hid in an onstage tree , either brought on for the occasion , or perhaps there from the beginning as part of the ' outdoor ' setting , though scholars ...
... tree ' ( Henslowe's Diary , p . 319 ) which allows for the possibility that Berowne hid in an onstage tree , either brought on for the occasion , or perhaps there from the beginning as part of the ' outdoor ' setting , though scholars ...
Strana 32
... tree for Berowne in IV.iii ; stage directions tell us when he descends from the tree . The last scene included the Princess's pavilion , as in the Madame Vestris production , although it is not clear how much of the stage this pavilion ...
... tree for Berowne in IV.iii ; stage directions tell us when he descends from the tree . The last scene included the Princess's pavilion , as in the Madame Vestris production , although it is not clear how much of the stage this pavilion ...
Strana 109
... tree which Berowne will climb for the overhearing scene . The rest of the stage is a deep leafy park ; there the ... trees are mostly green , though in places the autumn colours are visible . The two parts of the set allow for the ...
... tree which Berowne will climb for the overhearing scene . The rest of the stage is a deep leafy park ; there the ... trees are mostly green , though in places the autumn colours are visible . The two parts of the set allow for the ...
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1965 production actors appear Armado Armado's letter audience Barton Barton's 1978 production Beatles Berowne Berowne and Rosaline Berowne's Biron Boyet Brook's production Carmen Du Sautoy century characters comedy comic Costard costumes court courtiers created curtain David directors downstage dressed Dull Dumaine and Longaville elegant emphasised feelings final scene Guthrie Holofernes I.ii II.i III.i implies IV.i IV.iii Jaquenetta John Barton's Kahn Kahn's Katharine King King's ladies language lines look Love's Labour's Lost Madame Vestris Marcade Marcade's entrance Maria Maureen Lipman Michael Moshinsky Moshinsky's Moth move Muscovites Navarre Nine Worthies oath offstage overhearing scene Pageant paintings performance perhaps Peter Brook Phelps Phelps's platform play's Pompey praise Princess prompt book Ralph Koltai reading reveal Rosaline Rosaline's Royal Shakespeare Theatre Sadler's Samuel Phelps seems sense Shakespeare's plays Sir Nathaniel speech stage Stratford Stratford-upon-Avon suggests television theatre tion tone upstage V.ii visual Watteau witty women words young