Love's Labour's LostManchester University Press, 1993 - Počet stran: 137 Though Love's Labour's Lost was performed throughout Shakespeare's active career, the play then disappeared from the British stage for almost two hundred years. Today, however, its popularity is high, both with theatre critics and audiences. In this study, Miriam Gilbert focuses primarily on six productions: on the Elizabethan stage, on the Victorian Stage, the Peter Brooke and John Barton productions at Stratford-upon-Avon, Michael Kahn's 1968 staging in America and the 1984 BBC television version. The relationships between the productions receive special attention. Over the years, productions have stressed the darker side of the play, as actors, directors and critics have found Love's Labour's Lost a more subtle and complex play than early commentators might suggest. |
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Strana 14
... turn up later in conversation sug- gests how prevalent was the interest in sounding witty . Sir Andrew Aguecheek in ... turns up when Holofernes congratulates Armado on his elegant variation for the common word ' afternoon ' : " The ...
... turn up later in conversation sug- gests how prevalent was the interest in sounding witty . Sir Andrew Aguecheek in ... turns up when Holofernes congratulates Armado on his elegant variation for the common word ' afternoon ' : " The ...
Strana 69
... turns away from Rosaline and then turns back . In contrast , Rosaline remains utterly still and , it seems , emotionally unmoved . Her accusation that his wit ' is begot of that loose grace / Which shallow laughing hearers give to fools ...
... turns away from Rosaline and then turns back . In contrast , Rosaline remains utterly still and , it seems , emotionally unmoved . Her accusation that his wit ' is begot of that loose grace / Which shallow laughing hearers give to fools ...
Strana 97
... turns the mirror away . She is the kind of princess who would get mud on her dress and who probably would not do ... turns away to read the letter while she turns away - and takes off her glasses . The immediate falling in love of these ...
... turns the mirror away . She is the kind of princess who would get mud on her dress and who probably would not do ... turns away to read the letter while she turns away - and takes off her glasses . The immediate falling in love of these ...
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1965 production actors appear Armado Armado's letter audience Barton Barton's 1978 production Beatles Berowne Berowne and Rosaline Berowne's Biron Boyet Brook's production Carmen Du Sautoy century characters comedy comic Costard costumes court courtiers created curtain David directors downstage dressed Dull Dumaine and Longaville elegant emphasised feelings final scene Guthrie Holofernes I.ii II.i III.i implies IV.i IV.iii Jaquenetta John Barton's Kahn Kahn's Katharine King King's ladies language lines look Love's Labour's Lost Madame Vestris Marcade Marcade's entrance Maria Maureen Lipman Michael Moshinsky Moshinsky's Moth move Muscovites Navarre Nine Worthies oath offstage overhearing scene Pageant paintings performance perhaps Peter Brook Phelps Phelps's platform play's Pompey praise Princess prompt book Ralph Koltai reading reveal Rosaline Rosaline's Royal Shakespeare Theatre Sadler's Samuel Phelps seems sense Shakespeare's plays Sir Nathaniel speech stage Stratford Stratford-upon-Avon suggests television theatre tion tone upstage V.ii visual Watteau witty women words young