The Works of Richard Hurd, Lord Bishop of Worcester: Critical worksT. Cadell and W. Davies, Strand, 1811 |
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Strana 99
... resemblance and imitation ; it follows , that the ridiculous can never be associated with tragedy , without destroying its nature , though with the serious comic it very well consists . And here the practice coincides with the rule ...
... resemblance and imitation ; it follows , that the ridiculous can never be associated with tragedy , without destroying its nature , though with the serious comic it very well consists . And here the practice coincides with the rule ...
Strana 148
... resemblance be thought strange , where the object is equally present to all persons . For it must be re- marked of the visible effects of MIND , as , be- fore , of the phaenomena of the material world , that they are , simply , the ...
... resemblance be thought strange , where the object is equally present to all persons . For it must be re- marked of the visible effects of MIND , as , be- fore , of the phaenomena of the material world , that they are , simply , the ...
Strana 154
... resemblance there are . It could not be otherwise . all the use a candid reader , who comes to his author with the true spirit of a critic , will make of them , is to shew , " how justly the poet " copies nature , which had suggested ...
... resemblance there are . It could not be otherwise . all the use a candid reader , who comes to his author with the true spirit of a critic , will make of them , is to shew , " how justly the poet " copies nature , which had suggested ...
Strana 156
... resemblance give to superficial and unthinking observers the suspicion of art . T The same reasoning extends to all the phae- nomena of human life , which are the effects or consequences of strong affections , and which set mankind ...
... resemblance give to superficial and unthinking observers the suspicion of art . T The same reasoning extends to all the phae- nomena of human life , which are the effects or consequences of strong affections , and which set mankind ...
Strana 157
Richard Hurd. imitation ; where nothing more is " pretended than a resemblance in the draught of similar effects , which it is not possible to avoid . 2. If this be comprehended , I shall need to say the less of the MANNERS ; which are ...
Richard Hurd. imitation ; where nothing more is " pretended than a resemblance in the draught of similar effects , which it is not possible to avoid . 2. If this be comprehended , I shall need to say the less of the MANNERS ; which are ...
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The Works of Richard Hurd, Lord Bishop of Worcester: Critical works Richard Hurd Úplné zobrazení - 1811 |
The Works of Richard Hurd, Lord Bishop of Worcester: Critical works Richard Hurd Úplné zobrazení - 1811 |
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action admired Aeneis affections allusion ancient appear Aristotle beauty Catullus cerned character chuse circumstances comic common copied critic degree delight disposition doubt drama end of poetry entertainment epic Euripides expression fable fancy FARCE genius ginal give GONDIBERT Greece Greek hath Homer human humour idea imagery imagination imita instance invention Italian Italian poetry Jonson kind language Latin learned least Little French Lawyer Ludlow Castle manners MARKS OF IMITATION mean Measure for Measure Milton mind modern nature nihil numbers observation occasion original passage passion pathos peculiar perhaps periphrasis persons picture Plautus pleasure poem poet poet's poetical proper province racter reader reason reflexions religion repre representation resemblance rhyme ridicule rience scene sense sentiment Shakespear shew similar sion sort Spanish Curate speak species Statius taken taste Theophrastus things thought tion tragedy true truth turn verses Virgil words καὶ
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Strana 250 - Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of Truth, in endless Error hurl'd: The glory, jest, and riddle of the world!
Strana 238 - Begin to cast a beam on the outward shape, 460 The unpolluted temple of the mind, And turns it by degrees to the soul's essence, Till all be made immortal ; but when lust By unchaste looks, loose gestures, and foul talk, But most by lewd and lavish act of sin, Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being.
Strana 239 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
Strana 246 - Wisdom's self Oft seeks to sweet retired solitude ; Where, with her best nurse, Contemplation, She plumes her feathers, and lets grow her wings, That in the various bustle of resort Were all too ruffled, and sometimes impair'd. He that has light within his own clear breast, May sit i...
Strana 237 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become • A kneaded clod...
Strana 127 - Tout est dit : et l'on vient trop tard depuis plus de sept mille ans qu'il ya des hommes, et qui pensent.
Strana 270 - When the loose mountain trembles from on high, Shall gravitation cease, if you go by? Or some old temple, nodding to its fall, For Chartres' head reserve the hanging wall?
Strana 264 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Strana 250 - When first on this delightful land he spreads His orient beams, on herb, tree, fruit, and flower, Glistering with dew; fragrant the fertile earth After soft showers; and sweet the coming on Of grateful evening
Strana 241 - Sirens' harmony, That sit upon the nine infolded spheres, And sing to those that hold the vital shears, And turn the adamantine spindle round On which the fate of gods and men is wound.