The Round Table, 1817Woodstock Books, 1991 - Počet stran: 261 |
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Strana 133
... style , and real unsophisticated , strait - forward nature in the manners , sentiment , and description ; but how difficult to get hold of these , when the style of our poetry has been little else , for these hundred and fifty years ...
... style , and real unsophisticated , strait - forward nature in the manners , sentiment , and description ; but how difficult to get hold of these , when the style of our poetry has been little else , for these hundred and fifty years ...
Strana 33
... style of our forefathers , if it concealed the dulness of the writer , at least was a barrier against the im- pertinence , flippancy , and ignorance of the reader . However , the immediate transition from the VOL . II . C pe . dantic to ...
... style of our forefathers , if it concealed the dulness of the writer , at least was a barrier against the im- pertinence , flippancy , and ignorance of the reader . However , the immediate transition from the VOL . II . C pe . dantic to ...
Strana 34
... style of composition , to use the phraseology of Mr Burke , " mitigated authors into companions , and com- pelled wisdom to submit to the soft collar of so- cial esteem . " The original papers of the Tatler , printed on a half sheet of ...
... style of composition , to use the phraseology of Mr Burke , " mitigated authors into companions , and com- pelled wisdom to submit to the soft collar of so- cial esteem . " The original papers of the Tatler , printed on a half sheet of ...
Obsah
INTRODUCTION H T | 1 |
On Chaucer L H To the President and Companions of the Round Table | 7 |
The Subject Continued H T | 9 |
Autorská práva | |
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admiration appear artist attachment beauty Beggar's Opera Boccacio character charms Chaucer colour common common-place criticism dæmons delight Dr Johnson effect enjoyment equal excellence excite expression eyes face fame fancy feeling fire fireside flowers genius give good-natured grace gusto habit hand head Hogarth human Iago idea imagination imitation indifference instance interest jects Julius Cæsar kind knowledge lady living look Lycidas manner Marriage a-la-Mode ment Milton mind mistress modern moral nature neral never night objects opinion ourselves pain painted painter Paradise Lost passion perfect perhaps persons philosopher pleasure poem poet poetry prejudices pretend principle racter Raphael reader reason refined Rembrandt Round Table seems sense sentiment Shakspeare shew sophism sort spirit St Peter Martyr Stadtholder style sympathy taste Tatler thing thought tion Titian truth ture whole Wordsworth writer