An Introduction to Film Studies

Přední strana obálky
Jill Nelmes
Psychology Press, 2003 - Počet stran: 500
An Introduction to Film Studies has established itself as the leading textbook for students of cinema. This revised and updated third edition guides students through the key issues and concepts in film studies, and introduces some of the world's key national cinemas including British, Indian, Soviet and French. Written by experienced teachers in the field and lavishly illustrated with over 122 film stills and production shots, it will be essential reading for any student of film.Features of the third edition include:*full coverage of all the key topics at undergraduate level*comprehensive and up-to-date information and new case studies on recent films such as Gladiator , Spiderman , The Blair Witch Project, Fight Club , Shrek and The Matrix*annotated key readings, further viewing, website resources, study questions, a comprehensive bibliography and indexes, and a glossary of key terms will help lecturers prepare tutorials and encourage students to undertake independent study.Individual chapters include:*Film form and narrative*Spectator, audience and response*Critical approaches to Hollywood cinema: authorship, genre and stars*Animation: forms and meaning*Gender and film*Lesbian and gay cinema*British cinema*Soviet montage Cinema*French New Wave*Indian Cinema
 

Obsah

Notes
46
understanding cinema and storytelling
54
THE BEGINNING OF KEATONS THE GENERAL 1925
60
Narrative
78
Alternative narratives
84
Further viewing
90
What we can learn from Early Cinema
97
The passive spectator
105
HAPPY TOGETHER WONG KAR WAI 1997
304
Key texts
314
aspects of British
321
Continental drift
331
Community and nation
340
Intermedial raids and exchanges
346
WEST END GIRLS WONDERLAND 1999 AND BRIDGET JONESS
352
Resource centres
358

PLEASURE AND EVALUATION PULP FICTION
116
Mixing approaches
124
CORPORATE AUTHORSHIP INDUSTRIAL LIGHT AND MAGIC ILM
129
Introduction
130
The problems of auteur theory
137
GENRE FORMS
185
forms and meanings
213
Continuing to experiment
229
Conclusion
236
Introduction
242
Feminist film theory and practice
249
SALLY POTTER FILMMAKER
258
Gender theory and theories of masculinity
264
Fatherhood and the family
270
Notes
276
Audiences
282
Some films with gaylesbian themes
291
Go FISH ROSE TROCHE 1994
298
MONSOON WEDDING MIRA NAIR 2002
364
Song and dance sequences
370
Gangster films
376
HEY RAM KAMAL HAASAN 1999
382
Further reading
388
montage
394
SERGEI EISENSTEIN STRIKE 1924 BATTLESHip Potemkin 1925
400
Vsevolod PuDOVKIN THE MOTHER 1926 THE END
409
ESFIR SHUB THE FALL OF THE ROMANOV DYNASTY 1927
415
The French New Wave
421
A BOUT DE SOUFFLE BREATHLESS JEANLUC GODARD 1960
428
LA JETÉE THE PIER CHRIS MARKER 1962
434
JeanLuc Godard
442
Conclusion
448
Bibliography
469
Index
483
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