The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630OUP Oxford, 23. 2. 2006 - Počet stran: 344 Drawing on entirely new evidence, The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630 examines the history of English dramatic form and its relationship to the mathematics, technology, and early scientific thought during the Renaissance period. The book demonstrates how practical modes of thinking that were typical of the sixteenth century resulted in new genres of plays and a new vocabulary for problems of poetic representation. In the epistemological moment the book recovers, we find new ideas about form and language that would become central to Renaissance literary discourse; in this same moment, too, we find new ways of thinking about the relationship between theory and practice that are typical of modernity, new attitudes towards spatial representation, and a new interest in both poetics and mathematics as distinctive ways of producing knowledge about the world. By emphasizing the importance of theatrical performance, the book engages with continuing debates over the cultural function of the early modern stage and with scholarship on the status of modern authorship. When we consider playwrights in relation to the theatre rather than the printed book, they appear less as 'authors' than as figures whose social position and epistemological presuppositions were very similar to the craftsmen, surveyors, and engineers who began to flourish during the sixteenth century and whose mathematical knowledge made them increasingly sought after by men of wealth and power. |
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Strana viii
... conventions: the intricate problem of how meaning occurs. A central concern of the book is thus with the semiotic aspects of knowledge production and on the different conventions that characterized diagrams, maps, words, objects, and ...
... conventions: the intricate problem of how meaning occurs. A central concern of the book is thus with the semiotic aspects of knowledge production and on the different conventions that characterized diagrams, maps, words, objects, and ...
Strana 2
... conventions of the printed book, on the one hand, from the theatre and its performative conventions, on the other, conventions that largely remained untheorized during the period and which Renaissance writers struggled to reconcile with ...
... conventions of the printed book, on the one hand, from the theatre and its performative conventions, on the other, conventions that largely remained untheorized during the period and which Renaissance writers struggled to reconcile with ...
Strana 3
... conventions and of its social function (the enduring object of current historicist criticism) requires a corollary shift of attention beyond the fields that have conventionally informed modern scholarship. In what follows, I argue that ...
... conventions and of its social function (the enduring object of current historicist criticism) requires a corollary shift of attention beyond the fields that have conventionally informed modern scholarship. In what follows, I argue that ...
Strana 5
... conventions of theatrical performance like the system of geometrical projection on which the map depended. In his separate Prologue written for Old Fortunatus' public performance at the Rose, Dekker makes his argument as explicitly as ...
... conventions of theatrical performance like the system of geometrical projection on which the map depended. In his separate Prologue written for Old Fortunatus' public performance at the Rose, Dekker makes his argument as explicitly as ...
Strana 6
... conventions of a new representational medium: to the theatre and its platform stage. A fuller explanation is perhaps best left to the play's own advocate: Enter Chorus chorus. The world to the circumference of heaven, Is as a small ...
... conventions of a new representational medium: to the theatre and its platform stage. A fuller explanation is perhaps best left to the play's own advocate: Enter Chorus chorus. The world to the circumference of heaven, Is as a small ...
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |
The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2010 |
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