The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630OUP Oxford, 23. 2. 2006 - Počet stran: 344 Drawing on entirely new evidence, The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630 examines the history of English dramatic form and its relationship to the mathematics, technology, and early scientific thought during the Renaissance period. The book demonstrates how practical modes of thinking that were typical of the sixteenth century resulted in new genres of plays and a new vocabulary for problems of poetic representation. In the epistemological moment the book recovers, we find new ideas about form and language that would become central to Renaissance literary discourse; in this same moment, too, we find new ways of thinking about the relationship between theory and practice that are typical of modernity, new attitudes towards spatial representation, and a new interest in both poetics and mathematics as distinctive ways of producing knowledge about the world. By emphasizing the importance of theatrical performance, the book engages with continuing debates over the cultural function of the early modern stage and with scholarship on the status of modern authorship. When we consider playwrights in relation to the theatre rather than the printed book, they appear less as 'authors' than as figures whose social position and epistemological presuppositions were very similar to the craftsmen, surveyors, and engineers who began to flourish during the sixteenth century and whose mathematical knowledge made them increasingly sought after by men of wealth and power. |
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Strana 6
... mechanical globe but also of mutation and transformation—of 'translation', in its Renaissance sense of 'changing form'. And as we shall see, geometry accomplishes this feat not, or not merely, through language and verbal argument but ...
... mechanical globe but also of mutation and transformation—of 'translation', in its Renaissance sense of 'changing form'. And as we shall see, geometry accomplishes this feat not, or not merely, through language and verbal argument but ...
Strana 11
... mechanical arts that were flourishing around them. As Henry Peacham would argue some years later, praising geometry in his Compleat Gentleman (1622) as 'this most ingenious and usefull Art' and crediting it with 'the formes and draughts ...
... mechanical arts that were flourishing around them. As Henry Peacham would argue some years later, praising geometry in his Compleat Gentleman (1622) as 'this most ingenious and usefull Art' and crediting it with 'the formes and draughts ...
Strana 12
... Mechanical Arts hold their estimation by their effects in base subjects,' he argues in his very next chapter, 'Of Poetry', 'how much more deserveth [Poetrie] to be esteemed that holdeth so soveraigne a power over the minde, can turne ...
... Mechanical Arts hold their estimation by their effects in base subjects,' he argues in his very next chapter, 'Of Poetry', 'how much more deserveth [Poetrie] to be esteemed that holdeth so soveraigne a power over the minde, can turne ...
Strana 13
... mechanical world-view, see Dijksterhuis (1986); Laird (1986); and Gabbey (1990, 1993); on probability in 17th-century thought, see Shapiro (1983, 2000). anachronism in the sixteenth century, and several recent studies in Introduction 13.
... mechanical world-view, see Dijksterhuis (1986); Laird (1986); and Gabbey (1990, 1993); on probability in 17th-century thought, see Shapiro (1983, 2000). anachronism in the sixteenth century, and several recent studies in Introduction 13.
Strana 23
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
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The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2006 |
The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Náhled není k dispozici. - 2010 |
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