The Films of Peter Greenaway
CUP Archive, 13. 10. 1997 - Počet stran: 225
The Films of Peter Greenaway is the first critical overview of one of the most controversial contemporary film-makers. Trained as an artist, Greenaway began his career in cinema as an editor of government-sponsored films. He began to attract critical attention in 1980 with his epic mock-documentary The Falls, the first British film to be named Best Film by the British Film Institute in 30 years. Since then he has created the wittily elegant The Draughtsman's Contract, the strikingly unconventional Shakespearean adaptation Prospero's Books, and the disturbingly violent The Cook, The Thief, His Wife and Her Lover. In-depth analyses of these and several other of Greenaway's most important works are examined within the context of the director's biography and artistic goals. This edition also includes stills from Greenaway's feature films, as well as his own drawings.
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The Falls 1980
The Draughtsmans Contract 1982
A Zed and Two Noughts 1985
Drowning by Numbers 1988
The Belly of an Architect 1986
Kracklite applauding Brian Dennehy
Stourley Kracklite alone
Patriarchy and the Artist
Greenaway with Michel Blanc on the set of Prosperos Books 1991
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Alba Albert animals appears Architect artist asks associated becomes begins Belly birds body Boullée British called camera Caspasian characters cinema Cissie comes Cook culture dead death describes drawings Drowning Drowning by Numbers English exhibit fact Falls fiction figure film frame gangster garden Georgina Gielgud Green Greenaway Greenaway's Hacker and Price hand head identified John Kracklite Krays language lives look Louisa Luper meaning Michael Music Neville notes Noughts Numbers painting Peter Greenaway played postcards present Produced Prospero's Books questions Quoted Quoted in Hacker references relation restaurant scene seen shot speak Spica stand story Stourley style suggests takes Talmann tells Thief things told turns Vermeer violence voice wants wife woman women writing written
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