Fires Were Started: British Cinema and ThatcherismFires Were Started is a provocative analysis of the responses of British film to the policies and political ideology of the Conservative governments of Margaret Thatcher and it represents an original and stimulating contribution to our knowledge of British cinema. This second edition includes revised and updated contributions from some of the leading scholars of British cinema, including Thomas Elsaesser, Peter Wollen and Manthia Diawara. The book discuss prominent filmmakers such as Peter Greenaway, Derek Jarman, Ken Russell, Nicolas Roeg and Stephen Frears, it also explores some lesser known but equally important territory such as the work of Black British filmmakers, the Leeds Animation Workshop and Channel 4's Film on Four. Films discussed include Distant Voices, Still Lives, My Beautiful Launderette, Chariots of Fire and Drowning by Numbers. |
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The most successful British television films internalised these communal aspects
of television , allowing audience members to witness these easily identifiable
aspects of popular memory ; yet , such films also interrogate those comfortable ...
The Lafonte version of Mimi points out that although she is viewed as a
romanticised opera heroine , she is a worker whose labour produces the gowns
of both the singers onstage and the wealthy women who adorn the audience .
Greenacre also remarks that the artist may have an important capacity to
organise sensory impressions with special sensitivity to rhythm and form ,
particularly in relationship to a ' collective audience ' ( 1971 : 482 ) . If we relate
these ideas to ...
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Obsah
Introduction | 1 |
Thatcherite Politics and the British Film of the 1980s | 15 |
Modernism in the British Films of the Thatcher Era | 30 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |