Fires Were Started: British Cinema and ThatcherismLester D. Friedman Wallflower, 2006 - Počet stran: 341 Fires Were Started is a provocative analysis of the responses of British film to the policies and political ideology of the Conservative governments of Margaret Thatcher and it represents an original and stimulating contribution to our knowledge of British cinema. This second edition includes revised and updated contributions from some of the leading scholars of British cinema, including Thomas Elsaesser, Peter Wollen and Manthia Diawara. The book discuss prominent filmmakers such as Peter Greenaway, Derek Jarman, Ken Russell, Nicolas Roeg and Stephen Frears, it also explores some lesser known but equally important territory such as the work of Black British filmmakers, the Leeds Animation Workshop and Channel 4's Film on Four. Films discussed include Distant Voices, Still Lives, My Beautiful Launderette, Chariots of Fire and Drowning by Numbers. |
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Strana 132
... created in the woman's mind . As Gilroy argues , ' the struggle over signs and images [ between the police and the black artists ] , particularly those which involve blacks , has become more important for the maintenance of order than ...
... created in the woman's mind . As Gilroy argues , ' the struggle over signs and images [ between the police and the black artists ] , particularly those which involve blacks , has become more important for the maintenance of order than ...
Strana 220
... creating a new hybrid community made stronger by the benefits of their enterprise , in Sammy and Rosie Get Laid leaders like Rosie , Rani and Vivia defiantly ... created a remarkable legacy : a formidable body of work 220 FIRES WERE STARTED.
... creating a new hybrid community made stronger by the benefits of their enterprise , in Sammy and Rosie Get Laid leaders like Rosie , Rani and Vivia defiantly ... created a remarkable legacy : a formidable body of work 220 FIRES WERE STARTED.
Strana 252
... created object ; conversely ... the qualities of a created object may supersede its fetishistic aspects ' ( 1971 : 405 ) . Greenacre also remarks that the artist may have an important capacity to organise sensory impressions with ...
... created object ; conversely ... the qualities of a created object may supersede its fetishistic aspects ' ( 1971 : 405 ) . Greenacre also remarks that the artist may have an important capacity to organise sensory impressions with ...
Obsah
Thatcherite Politics and the British Film of the 1980s | 15 |
Modernism in the British Films of the Thatcher Era | 30 |
The New British Cinema | 45 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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