Fires Were Started: British Cinema and ThatcherismFires Were Started is a provocative analysis of the responses of British film to the policies and political ideology of the Conservative governments of Margaret Thatcher and it represents an original and stimulating contribution to our knowledge of British cinema. This second edition includes revised and updated contributions from some of the leading scholars of British cinema, including Thomas Elsaesser, Peter Wollen and Manthia Diawara. The book discuss prominent filmmakers such as Peter Greenaway, Derek Jarman, Ken Russell, Nicolas Roeg and Stephen Frears, it also explores some lesser known but equally important territory such as the work of Black British filmmakers, the Leeds Animation Workshop and Channel 4's Film on Four. Films discussed include Distant Voices, Still Lives, My Beautiful Launderette, Chariots of Fire and Drowning by Numbers. |
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What remains most vividly about the decade is the so - called Saatchi effect . In
politics , it pinpointed the close ties between the Conservative Central Office and
a wellknown advertising agency : the massive deployment , from within No .
Eureka ' s title focuses attention on the ' bliss ' of the single moment of discovery ,
which the film attempts to convey through a battery of visual and musical effects .
One of these is a musical quotation from Wagner ' s Das Rheingold , and its ...
Kavanagh , David , and Anthony Selden ( eds ) ( 1989 ) The Thatcher Effect .
Oxford : Clarendon Press . Kennedy , Harlan ( 1983 ) ' Roeg : Warrior ' , Film
Comment , April , 20 – 3 . Kettle , Martin ( 1983 ) ' The Drift to Law and Order ' , in
Stuart ...
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Obsah
Introduction | 1 |
Thatcherite Politics and the British Film of the 1980s | 15 |
Modernism in the British Films of the Thatcher Era | 30 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |