Fires Were Started: British Cinema and ThatcherismLester D. Friedman Wallflower, 2006 - Počet stran: 341 Fires Were Started is a provocative analysis of the responses of British film to the policies and political ideology of the Conservative governments of Margaret Thatcher and it represents an original and stimulating contribution to our knowledge of British cinema. This second edition includes revised and updated contributions from some of the leading scholars of British cinema, including Thomas Elsaesser, Peter Wollen and Manthia Diawara. The book discuss prominent filmmakers such as Peter Greenaway, Derek Jarman, Ken Russell, Nicolas Roeg and Stephen Frears, it also explores some lesser known but equally important territory such as the work of Black British filmmakers, the Leeds Animation Workshop and Channel 4's Film on Four. Films discussed include Distant Voices, Still Lives, My Beautiful Launderette, Chariots of Fire and Drowning by Numbers. |
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Strana 99
... narrative voice of the novel to the speech of those characters . There is also a studied reference to and ... narrative interest , sits in the background , while artefacts and furnishings fill and frame the foreground ; the camera ...
... narrative voice of the novel to the speech of those characters . There is also a studied reference to and ... narrative interest , sits in the background , while artefacts and furnishings fill and frame the foreground ; the camera ...
Strana 151
... narrative , of which Orlando ( 1992 ) is perhaps the best known , and also produced a body of work for television during the 1980s . Her films rewrite the political contexts that mainstream narrative films construct for women characters ...
... narrative , of which Orlando ( 1992 ) is perhaps the best known , and also produced a body of work for television during the 1980s . Her films rewrite the political contexts that mainstream narrative films construct for women characters ...
Strana 152
... narrative and the cultural placements of female characters . Potter disrupts Thriller's narrative drive toward closure by the use of stills and prevents a strong cultural closure about ' Mimi ' by dividing the character into two ...
... narrative and the cultural placements of female characters . Potter disrupts Thriller's narrative drive toward closure by the use of stills and prevents a strong cultural closure about ' Mimi ' by dividing the character into two ...
Obsah
Thatcherite Politics and the British Film of the 1980s | 15 |
Modernism in the British Films of the Thatcher Era | 30 |
The New British Cinema | 45 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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aesthetic Alan argues artists audience avant-garde Beautiful Laundrette Britain British cinema British Film Institute British television camera Catholic Channel 4's characters Chariots of Fire Conservative costume dramas critical critique culture David decade Derek Jarman directors discourse documentary dominant Draughtsman's Contract economic English essay fantasy feminist fiction film industry film's filmmakers genre Greenaway's heritage films Higson Hollywood identity ideology images Irish John Ken Loach Ken Russell Labour Last of England Leigh literary lives Loach London mainstream Margaret Thatcher Maurice memory Michael Mike Leigh mother narrative national cinema Northern Ireland Onwurah Party past period Peter Greenaway play Ploughman's Lunch policies political Press production Protestant realism representation represents Roeg Roeg's Russell's scene Screen sense sexual shot social society specific Stephen Frears suggests television films Thatcherite theatre tion tradition viewers visual voiceover women working-class Yosser young