Fires Were Started: British Cinema and ThatcherismLester D. Friedman Wallflower, 2006 - Počet stran: 341 Fires Were Started is a provocative analysis of the responses of British film to the policies and political ideology of the Conservative governments of Margaret Thatcher and it represents an original and stimulating contribution to our knowledge of British cinema. This second edition includes revised and updated contributions from some of the leading scholars of British cinema, including Thomas Elsaesser, Peter Wollen and Manthia Diawara. The book discuss prominent filmmakers such as Peter Greenaway, Derek Jarman, Ken Russell, Nicolas Roeg and Stephen Frears, it also explores some lesser known but equally important territory such as the work of Black British filmmakers, the Leeds Animation Workshop and Channel 4's Film on Four. Films discussed include Distant Voices, Still Lives, My Beautiful Launderette, Chariots of Fire and Drowning by Numbers. |
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Strana 128
... representation seriously ' ( ibid . ) . By adding the dimension of the ' politics of representation ' to their agenda , Black Audio problematised the whole notion of black people's ' relation to images ' . They demonstrated that the ...
... representation seriously ' ( ibid . ) . By adding the dimension of the ' politics of representation ' to their agenda , Black Audio problematised the whole notion of black people's ' relation to images ' . They demonstrated that the ...
Strana 129
... representation that was not fixed : ' The search is not for " the authentic image " but for an understanding of the diverse codes and strategies of representation ' ( 1983 : 30 ) . Martina Attille of Sankofa Film Collective explained ...
... representation that was not fixed : ' The search is not for " the authentic image " but for an understanding of the diverse codes and strategies of representation ' ( 1983 : 30 ) . Martina Attille of Sankofa Film Collective explained ...
Strana 131
... representation itself , because all these systems of signs are fixed , entrenched in the ' sin or evil ' of representation . The high moral tone of this discourse is based on a kind of masochistic self - censorship which relies on the ...
... representation itself , because all these systems of signs are fixed , entrenched in the ' sin or evil ' of representation . The high moral tone of this discourse is based on a kind of masochistic self - censorship which relies on the ...
Obsah
Thatcherite Politics and the British Film of the 1980s | 15 |
Modernism in the British Films of the Thatcher Era | 30 |
The New British Cinema | 45 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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