Fires Were Started: British Cinema and ThatcherismLester D. Friedman Wallflower, 2006 - Počet stran: 341 Fires Were Started is a provocative analysis of the responses of British film to the policies and political ideology of the Conservative governments of Margaret Thatcher and it represents an original and stimulating contribution to our knowledge of British cinema. This second edition includes revised and updated contributions from some of the leading scholars of British cinema, including Thomas Elsaesser, Peter Wollen and Manthia Diawara. The book discuss prominent filmmakers such as Peter Greenaway, Derek Jarman, Ken Russell, Nicolas Roeg and Stephen Frears, it also explores some lesser known but equally important territory such as the work of Black British filmmakers, the Leeds Animation Workshop and Channel 4's Film on Four. Films discussed include Distant Voices, Still Lives, My Beautiful Launderette, Chariots of Fire and Drowning by Numbers. |
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Strana 74
... seen as less effective than the Channel 4 films of the 1980s , which , like the Ealing cinema of the late 1940s and early 1950s , flourished through creating an idiosyncratic aesthetic style out of the circumscribed conditions ...
... seen as less effective than the Channel 4 films of the 1980s , which , like the Ealing cinema of the late 1940s and early 1950s , flourished through creating an idiosyncratic aesthetic style out of the circumscribed conditions ...
Strana 102
... seen doing the wrong thing , encapsulated in Cecil's anxious , furtive looks about him before he kisses Lucy , his fiancée , for the first time ; the other side of this fear is a love of being seen and admired by the right kind of ...
... seen doing the wrong thing , encapsulated in Cecil's anxious , furtive looks about him before he kisses Lucy , his fiancée , for the first time ; the other side of this fear is a love of being seen and admired by the right kind of ...
Strana 283
... seen a break with realism ; one could cite the films of Powell and Pressburger , the long history of commercial production of melodrama , fantasy and horror , and the films of the Co - op movement from the 1960s on . Yet only the last ...
... seen a break with realism ; one could cite the films of Powell and Pressburger , the long history of commercial production of melodrama , fantasy and horror , and the films of the Co - op movement from the 1960s on . Yet only the last ...
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Thatcherite Politics and the British Film of the 1980s | 15 |
Modernism in the British Films of the Thatcher Era | 30 |
The New British Cinema | 45 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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