Fires Were Started: British Cinema and ThatcherismLester D. Friedman Wallflower, 2006 - Počet stran: 341 Fires Were Started is a provocative analysis of the responses of British film to the policies and political ideology of the Conservative governments of Margaret Thatcher and it represents an original and stimulating contribution to our knowledge of British cinema. This second edition includes revised and updated contributions from some of the leading scholars of British cinema, including Thomas Elsaesser, Peter Wollen and Manthia Diawara. The book discuss prominent filmmakers such as Peter Greenaway, Derek Jarman, Ken Russell, Nicolas Roeg and Stephen Frears, it also explores some lesser known but equally important territory such as the work of Black British filmmakers, the Leeds Animation Workshop and Channel 4's Film on Four. Films discussed include Distant Voices, Still Lives, My Beautiful Launderette, Chariots of Fire and Drowning by Numbers. |
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Strana xii
... turned out picture after picture that demanded attention . They struggled with the social and economic upheavals that characterised the Thatcher years , creating a cinema that made the world take notice . THATCHERISM ' Mrs Thatcher has ...
... turned out picture after picture that demanded attention . They struggled with the social and economic upheavals that characterised the Thatcher years , creating a cinema that made the world take notice . THATCHERISM ' Mrs Thatcher has ...
Strana 36
... turning simultaneously to popular consumer culture and to the avant - garde tradition . Reyner Banham , for instance ... turned back to Marcel Duchamp as a revered ancestor . Pop broke through to a wider cultural audience with the 1961 ...
... turning simultaneously to popular consumer culture and to the avant - garde tradition . Reyner Banham , for instance ... turned back to Marcel Duchamp as a revered ancestor . Pop broke through to a wider cultural audience with the 1961 ...
Strana 50
... turning down David Puttnam when he approached them for financing : ' It has no name stars in it , its subject was sport ... turned scriptwriter ) : ' Rainy Day Women is a film ... highly conscious of its choice of vocabulary , operating ...
... turning down David Puttnam when he approached them for financing : ' It has no name stars in it , its subject was sport ... turned scriptwriter ) : ' Rainy Day Women is a film ... highly conscious of its choice of vocabulary , operating ...
Obsah
Thatcherite Politics and the British Film of the 1980s | 15 |
Modernism in the British Films of the Thatcher Era | 30 |
The New British Cinema | 45 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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aesthetic Alan argues artists audience avant-garde Beautiful Laundrette Britain British cinema British Film Institute British television camera Catholic Channel 4's characters Chariots of Fire Conservative costume dramas critical critique culture David decade Derek Jarman directors discourse documentary dominant Draughtsman's Contract economic English essay fantasy feminist fiction film industry film's filmmakers genre Greenaway's heritage films Higson Hollywood identity ideology images Irish John Ken Loach Ken Russell Labour Last of England Leigh literary lives Loach London mainstream Margaret Thatcher Maurice memory Michael Mike Leigh mother narrative national cinema Northern Ireland Onwurah Party past period Peter Greenaway play Ploughman's Lunch policies political Press production Protestant realism representation represents Roeg Roeg's Russell's scene Screen sense sexual shot social society specific Stephen Frears suggests television films Thatcherite theatre tion tradition viewers visual voiceover women working-class Yosser young