Fires Were Started: British Cinema and ThatcherismLester D. Friedman Wallflower, 2006 - Počet stran: 341 Fires Were Started is a provocative analysis of the responses of British film to the policies and political ideology of the Conservative governments of Margaret Thatcher and it represents an original and stimulating contribution to our knowledge of British cinema. This second edition includes revised and updated contributions from some of the leading scholars of British cinema, including Thomas Elsaesser, Peter Wollen and Manthia Diawara. The book discuss prominent filmmakers such as Peter Greenaway, Derek Jarman, Ken Russell, Nicolas Roeg and Stephen Frears, it also explores some lesser known but equally important territory such as the work of Black British filmmakers, the Leeds Animation Workshop and Channel 4's Film on Four. Films discussed include Distant Voices, Still Lives, My Beautiful Launderette, Chariots of Fire and Drowning by Numbers. |
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Strana 88
... visual representation of the Protestant community , one that reaches beyond the easiest of stereotypes . If anything , filmmakers fetishise what they conceive as minority opinions . This reductiveness creates terribly unbal- anced ...
... visual representation of the Protestant community , one that reaches beyond the easiest of stereotypes . If anything , filmmakers fetishise what they conceive as minority opinions . This reductiveness creates terribly unbal- anced ...
Strana 141
... Visual Pleasure and Narrative Cinema ' was published , Mulvey's conception of the ' woman as image and male as controller of the look ' ( 1989 : 19 ) provides ways of understanding narrative and visual strategies that inform counter ...
... Visual Pleasure and Narrative Cinema ' was published , Mulvey's conception of the ' woman as image and male as controller of the look ' ( 1989 : 19 ) provides ways of understanding narrative and visual strategies that inform counter ...
Strana 305
... visual style of Caravaggio's paintings . In reproducing scenes from the painter's canon the film , rather than simply duplicating the originals , gives the sense of an entirely painted world that at certain moments nudges up against the ...
... visual style of Caravaggio's paintings . In reproducing scenes from the painter's canon the film , rather than simply duplicating the originals , gives the sense of an entirely painted world that at certain moments nudges up against the ...
Obsah
Thatcherite Politics and the British Film of the 1980s | 15 |
Modernism in the British Films of the Thatcher Era | 30 |
The New British Cinema | 45 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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