The Play of Paradox: Stage and Sermon in Renaissance EnglandUniversity of Pennsylvania Press, 1995 - Počet stran: 213 The Play of Paradox: Stage and Sermon in Renaissance England is a wide-ranging investigation of Tudor/Stuart drama, Reformation preaching, and the relations between the two. The cross-fertilization between the two kinds of performance engendered among audiences a ready receptivity to the rhetorical use of paradox. The two modes similarly capitalized on characteristic Renaissance syntheses of magic, drama, and religion to develop strategies for negotiating state control. In chapters that set comedies and tragedies by Shakespeare, Jonson, Webster, and others side by side with sermons by Hooker, Andrewes, Donne, and popular preachers whose works have not been reprinted since the early seventeenth century, Bryan Crockett argues that stage and pulpit performances elicited similar responses to the political and theological divisions marked by the incessant polemics of the age. |
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Strana 33
... Protestant insistence on a commemorative rather than a sacrificial liturgy , together with the elimination of all the other sacraments except baptism , vastly reduced the ritualistic , performa- tive dimensions of Protestant religious ...
... Protestant insistence on a commemorative rather than a sacrificial liturgy , together with the elimination of all the other sacraments except baptism , vastly reduced the ritualistic , performa- tive dimensions of Protestant religious ...
Strana 78
... Protestant authorities who examined the Blood of Hailes after its re- moval from the monastery variously reported that it was actually " honey clarified and coloured with saffron " or the blood of a duck.14 Staged incidents like the ...
... Protestant authorities who examined the Blood of Hailes after its re- moval from the monastery variously reported that it was actually " honey clarified and coloured with saffron " or the blood of a duck.14 Staged incidents like the ...
Strana 93
... Protestant poets , Jonson's human- ism is shaped by the Protestant discourse of his time . The playwright's antitheatricalism is in large part a function of the peculiar sort of rheto- ric fostered by the Protestant Reformation . This ...
... Protestant poets , Jonson's human- ism is shaped by the Protestant discourse of his time . The playwright's antitheatricalism is in large part a function of the peculiar sort of rheto- ric fostered by the Protestant Reformation . This ...
Obsah
The Pulpit Performance and the TwoEdged Sword | 31 |
Holy Cozenage and the Renaissance Cult of the Ear | 50 |
Satire and Social Structure | 73 |
Autorská práva | |
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