The Play of Paradox: Stage and Sermon in Renaissance EnglandUniversity of Pennsylvania Press, 1995 - Počet stran: 213 The Play of Paradox: Stage and Sermon in Renaissance England is a wide-ranging investigation of Tudor/Stuart drama, Reformation preaching, and the relations between the two. The cross-fertilization between the two kinds of performance engendered among audiences a ready receptivity to the rhetorical use of paradox. The two modes similarly capitalized on characteristic Renaissance syntheses of magic, drama, and religion to develop strategies for negotiating state control. In chapters that set comedies and tragedies by Shakespeare, Jonson, Webster, and others side by side with sermons by Hooker, Andrewes, Donne, and popular preachers whose works have not been reprinted since the early seventeenth century, Bryan Crockett argues that stage and pulpit performances elicited similar responses to the political and theological divisions marked by the incessant polemics of the age. |
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Strana 55
... accept the argument that in the sixteenth century a Protestant “ logolatry " supplants the idola- try of which the refomers accuse Catholicism . Michael O'Connell has made this argument in terms that are on the whole compelling , but he ...
... accept the argument that in the sixteenth century a Protestant “ logolatry " supplants the idola- try of which the refomers accuse Catholicism . Michael O'Connell has made this argument in terms that are on the whole compelling , but he ...
Strana 107
... accept his mar- riage to Isabella as a happy prospect for the bride ? Can she accept it ? It is of course impossible to say how Isabella's silence in response to the Duke's proposal was played in the earliest productions , but a glance ...
... accept his mar- riage to Isabella as a happy prospect for the bride ? Can she accept it ? It is of course impossible to say how Isabella's silence in response to the Duke's proposal was played in the earliest productions , but a glance ...
Strana 113
... accept judgment on themselves in remembering their own debt to mercy . Prospero says in the last lines of the play , As you from crimes would pardon'd be , Let your indulgence set me free . ( Ep . , 19–20 ) There is far more here than ...
... accept judgment on themselves in remembering their own debt to mercy . Prospero says in the last lines of the play , As you from crimes would pardon'd be , Let your indulgence set me free . ( Ep . , 19–20 ) There is far more here than ...
Obsah
The Pulpit Performance and the TwoEdged Sword | 31 |
Holy Cozenage and the Renaissance Cult of the Ear | 50 |
Satire and Social Structure | 73 |
Autorská práva | |
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