The Play of Paradox: Stage and Sermon in Renaissance EnglandUniversity of Pennsylvania Press, 1995 - Počet stran: 213 The Play of Paradox: Stage and Sermon in Renaissance England is a wide-ranging investigation of Tudor/Stuart drama, Reformation preaching, and the relations between the two. The cross-fertilization between the two kinds of performance engendered among audiences a ready receptivity to the rhetorical use of paradox. The two modes similarly capitalized on characteristic Renaissance syntheses of magic, drama, and religion to develop strategies for negotiating state control. In chapters that set comedies and tragedies by Shakespeare, Jonson, Webster, and others side by side with sermons by Hooker, Andrewes, Donne, and popular preachers whose works have not been reprinted since the early seventeenth century, Bryan Crockett argues that stage and pulpit performances elicited similar responses to the political and theological divisions marked by the incessant polemics of the age. |
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Strana 91
... audience's communal reception of non - mercantile paradigms . The Alchemist ends with a sort of communal celebration , but it is one in which the audience cannot par- ticipate wholeheartedly without sharing in mercenary qualities like ...
... audience's communal reception of non - mercantile paradigms . The Alchemist ends with a sort of communal celebration , but it is one in which the audience cannot par- ticipate wholeheartedly without sharing in mercenary qualities like ...
Strana 119
... audience is surprised as the statue comes alive . While Shakespeare's comedies habitually exploit the discrep- ant awarenesses of character and audience , only in this play is the audience completely deceived by an apparently ...
... audience is surprised as the statue comes alive . While Shakespeare's comedies habitually exploit the discrep- ant awarenesses of character and audience , only in this play is the audience completely deceived by an apparently ...
Strana 133
... audience's expectations . Web- ster in particular seems to delight in the possibility of audience subversion . He carefully sets up expectations and almost invariably thwarts them . This strategy is apparent even in the first two scenes ...
... audience's expectations . Web- ster in particular seems to delight in the possibility of audience subversion . He carefully sets up expectations and almost invariably thwarts them . This strategy is apparent even in the first two scenes ...
Obsah
The Pulpit Performance and the TwoEdged Sword | 31 |
Holy Cozenage and the Renaissance Cult of the Ear | 50 |
Satire and Social Structure | 73 |
Autorská práva | |
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