The Play of Paradox: Stage and Sermon in Renaissance EnglandUniversity of Pennsylvania Press, 1995 - Počet stran: 213 The Play of Paradox: Stage and Sermon in Renaissance England is a wide-ranging investigation of Tudor/Stuart drama, Reformation preaching, and the relations between the two. The cross-fertilization between the two kinds of performance engendered among audiences a ready receptivity to the rhetorical use of paradox. The two modes similarly capitalized on characteristic Renaissance syntheses of magic, drama, and religion to develop strategies for negotiating state control. In chapters that set comedies and tragedies by Shakespeare, Jonson, Webster, and others side by side with sermons by Hooker, Andrewes, Donne, and popular preachers whose works have not been reprinted since the early seventeenth century, Bryan Crockett argues that stage and pulpit performances elicited similar responses to the political and theological divisions marked by the incessant polemics of the age. |
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Strana 44
... believers to adhere to Luther's vision of works as mere signs of election . The twelfth of the Prayer Book's Thirty- Nine Articles of Religion registers the tension that these believers found impossible to sustain : Albeit that good ...
... believers to adhere to Luther's vision of works as mere signs of election . The twelfth of the Prayer Book's Thirty- Nine Articles of Religion registers the tension that these believers found impossible to sustain : Albeit that good ...
Strana 45
... believers that public works of charity remain as signs of election . Among the signs of reproba- tion Arthur Dent lists not only swearing , whoring , and idleness , but also " cold prayers . " 48 Reformation theologians develop such ...
... believers that public works of charity remain as signs of election . Among the signs of reproba- tion Arthur Dent lists not only swearing , whoring , and idleness , but also " cold prayers . " 48 Reformation theologians develop such ...
Strana 48
... believer as simultaneous saint and sin- ner breaks down , the result is an either / or mentality , a vision of a world clearly divided into sheep and goats , believers and infidels , insiders and outsiders : Sampson Price's mutually ...
... believer as simultaneous saint and sin- ner breaks down , the result is an either / or mentality , a vision of a world clearly divided into sheep and goats , believers and infidels , insiders and outsiders : Sampson Price's mutually ...
Obsah
The Pulpit Performance and the TwoEdged Sword | 31 |
Holy Cozenage and the Renaissance Cult of the Ear | 50 |
Satire and Social Structure | 73 |
Autorská práva | |
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