The Play of Paradox: Stage and Sermon in Renaissance EnglandUniversity of Pennsylvania Press, 1995 - Počet stran: 213 The Play of Paradox: Stage and Sermon in Renaissance England is a wide-ranging investigation of Tudor/Stuart drama, Reformation preaching, and the relations between the two. The cross-fertilization between the two kinds of performance engendered among audiences a ready receptivity to the rhetorical use of paradox. The two modes similarly capitalized on characteristic Renaissance syntheses of magic, drama, and religion to develop strategies for negotiating state control. In chapters that set comedies and tragedies by Shakespeare, Jonson, Webster, and others side by side with sermons by Hooker, Andrewes, Donne, and popular preachers whose works have not been reprinted since the early seventeenth century, Bryan Crockett argues that stage and pulpit performances elicited similar responses to the political and theological divisions marked by the incessant polemics of the age. |
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Strana
... century . 4. English drama — 17th century— History and criticism . 5. Preaching - England - History - 16th century . 6. Preaching- England - History - 17th century . 7. Paradox - Religious aspects - Christianity . 8. Sermons , English ...
... century . 4. English drama — 17th century— History and criticism . 5. Preaching - England - History - 16th century . 6. Preaching- England - History - 17th century . 7. Paradox - Religious aspects - Christianity . 8. Sermons , English ...
Strana 8
... century , a style that valued analytics over theatrics.24 But both in their manner of delivery and in their effects on audiences , Tudor / Stuart sermons were performances . Preachers repeatedly made the point that they were neither ...
... century , a style that valued analytics over theatrics.24 But both in their manner of delivery and in their effects on audiences , Tudor / Stuart sermons were performances . Preachers repeatedly made the point that they were neither ...
Strana 55
... century Protestants are not twentieth - century fundamentalists ; Calvin , for example , calls attention to the New Testament writers ' habit of quoting the Hebrew Scriptures im- precisely : " They never made conscience in changing the ...
... century Protestants are not twentieth - century fundamentalists ; Calvin , for example , calls attention to the New Testament writers ' habit of quoting the Hebrew Scriptures im- precisely : " They never made conscience in changing the ...
Obsah
The Pulpit Performance and the TwoEdged Sword | 31 |
Holy Cozenage and the Renaissance Cult of the Ear | 50 |
Satire and Social Structure | 73 |
Autorská práva | |
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