The Play of Paradox: Stage and Sermon in Renaissance EnglandUniversity of Pennsylvania Press, 1995 - Počet stran: 213 The Play of Paradox: Stage and Sermon in Renaissance England is a wide-ranging investigation of Tudor/Stuart drama, Reformation preaching, and the relations between the two. The cross-fertilization between the two kinds of performance engendered among audiences a ready receptivity to the rhetorical use of paradox. The two modes similarly capitalized on characteristic Renaissance syntheses of magic, drama, and religion to develop strategies for negotiating state control. In chapters that set comedies and tragedies by Shakespeare, Jonson, Webster, and others side by side with sermons by Hooker, Andrewes, Donne, and popular preachers whose works have not been reprinted since the early seventeenth century, Bryan Crockett argues that stage and pulpit performances elicited similar responses to the political and theological divisions marked by the incessant polemics of the age. |
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Strana 7
... doubt that Reformation preaching styles influenced dramatists , just as there is little doubt that Renaissance stage plays in- fluenced preachers . The substantial audience overlap between the two modes meant that preachers could assume ...
... doubt that Reformation preaching styles influenced dramatists , just as there is little doubt that Renaissance stage plays in- fluenced preachers . The substantial audience overlap between the two modes meant that preachers could assume ...
Strana 24
... doubts . The pressure generated by this paradox , a pressure that arguably boosted the European suicide rate by a considerable margin , takes shape as a fervent quest for certainty of salvation.79 The one who has any shade of doubt ...
... doubts . The pressure generated by this paradox , a pressure that arguably boosted the European suicide rate by a considerable margin , takes shape as a fervent quest for certainty of salvation.79 The one who has any shade of doubt ...
Strana 83
... doubt that in Poetaster , for example , Demetrius is Dekker , Crispinus is Marston , Horace is Jonson , Rome is London , the Tiber is the Thames , and so forth . Satire is also directed against contemporary separatist groups like the ...
... doubt that in Poetaster , for example , Demetrius is Dekker , Crispinus is Marston , Horace is Jonson , Rome is London , the Tiber is the Thames , and so forth . Satire is also directed against contemporary separatist groups like the ...
Obsah
The Pulpit Performance and the TwoEdged Sword | 31 |
Holy Cozenage and the Renaissance Cult of the Ear | 50 |
Satire and Social Structure | 73 |
Autorská práva | |
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