Econ Art: Divorcing Art from Science in Modern EconomicsPluto Press, 15. 2. 1999 - Počet stran: 240 Historians of economic thought have long recognized the possibility that the "science" of economics owes more to cultural influences than we are usually prepare to admit. Econ Art offers the first detailed study of this contradiction, highlighting the cultural and aesthetic influences of surrealism, cubism and abstract art on both economic theory and method in the twentieth century.Arguing that economics has developed more as an art form than as a science, the author looks not only at what economists have produced but how they have produced it, uncovering the cultural preconceptions which have shaped economic theory and method in the last one hundred years. At a time of increasing dissatisfaction with the discipline and the practice of economics, Szostak argues that the time is now ripe —- and right —- to embarrass the profession into a whole-sale reconsideration of what economics is for, how it should be done and what might make it better and more useful to the academy and to the world at large. |
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Strana 60
... Mondrian deserves special attention . While other artists moved fairly quickly to abstraction , Mondrian's slow but steady progression through various art forms allows us to trace the influ- ences on his work with greater ease . Despite ...
... Mondrian deserves special attention . While other artists moved fairly quickly to abstraction , Mondrian's slow but steady progression through various art forms allows us to trace the influ- ences on his work with greater ease . Despite ...
Strana 61
... Mondrian's paintings one can see the object gradually disappear - his first rendering of a local church front leaves a clear impression of door and windows ; these disappear in a later rendering of the same church . By the 1920s , Mondrian ...
... Mondrian's paintings one can see the object gradually disappear - his first rendering of a local church front leaves a clear impression of door and windows ; these disappear in a later rendering of the same church . By the 1920s , Mondrian ...
Strana 62
... Mondrian's attitude : Mondrian , exploring for such a long time the theme of the horizontal- vertical , proved that this theme had a reality of its own , that it was a universal principle , a source of both life and language ... A law ...
... Mondrian's attitude : Mondrian , exploring for such a long time the theme of the horizontal- vertical , proved that this theme had a reality of its own , that it was a universal principle , a source of both life and language ... A law ...
Obsah
Chapter Two Surrealism | 24 |
Chapter Three Cubism and More | 51 |
5 | 58 |
Autorská práva | |
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Econ-art: Divorcing Art from Science in Modern Economics Rick Szostak Náhled není k dispozici. - 1999 |
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Odkazy na tuto knihu
Classifying Science: Phenomena, Data, Theory, Method, Practice Rick Szostak Náhled není k dispozici. - 2004 |
Imagining Economics Otherwise: Encounters with Identity/difference Nitasha Kaul Náhled není k dispozici. - 2008 |