Econ Art: Divorcing Art from Science in Modern EconomicsHistorians of economic thought have long recognized the possibility that the "science" of economics owes more to cultural influences than we are usually prepare to admit. Econ Art offers the first detailed study of this contradiction, highlighting the cultural and aesthetic influences of surrealism, cubism and abstract art on both economic theory and method in the twentieth century.Arguing that economics has developed more as an art form than as a science, the author looks not only at what economists have produced but how they have produced it, uncovering the cultural preconceptions which have shaped economic theory and method in the last one hundred years. At a time of increasing dissatisfaction with the discipline and the practice of economics, Szostak argues that the time is now ripe —- and right —- to embarrass the profession into a whole-sale reconsideration of what economics is for, how it should be done and what might make it better and more useful to the academy and to the world at large. |
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Strana 13
Most centrally , Karl Popper and others had argued early in this century that
science could be distinguished from other activities by the concept of falsification
. Earlier philosophers had defined science in terms of empirical confirmation ;
Popper ...
Most centrally , Karl Popper and others had argued early in this century that
science could be distinguished from other activities by the concept of falsification
. Earlier philosophers had defined science in terms of empirical confirmation ;
Popper ...
Strana 102
Haslam , sharing that ideological perspective , characterizes the early Surrealists
as feeling that art was only valid if it denied middle - class values ( 1978 , p . 11 ) .
Rosemount feels that true art must be revolutionary ( 1978 , p . 184 ) . Fleming ...
Haslam , sharing that ideological perspective , characterizes the early Surrealists
as feeling that art was only valid if it denied middle - class values ( 1978 , p . 11 ) .
Rosemount feels that true art must be revolutionary ( 1978 , p . 184 ) . Fleming ...
Strana 194
... consumption expenditures to fall . Investment naturally depends in large part
on new product innovation . In addition , the emergence of a new generation of
machine tools in the early 1920s which would not become technically
obsolescent ...
... consumption expenditures to fall . Investment naturally depends in large part
on new product innovation . In addition , the emergence of a new generation of
machine tools in the early 1920s which would not become technically
obsolescent ...
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Obsah
Chapter One Art and Science | 1 |
Chapter Two Surrealism | 27 |
Chapter Three Cubism and More | 51 |
Autorská práva | |
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Econ-art: Divorcing Art from Science in Modern Economics Rick Szostak Náhled není k dispozici. - 1999 |
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Odkazy na tuto knihu
Classifying Science: Phenomena, Data, Theory, Method, Practice Rick Szostak Náhled není k dispozici. - 2004 |
Imagining Economics Otherwise: Encounters with Identity/difference Nitasha Kaul Náhled není k dispozici. - 2008 |