The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag |
Vyhledávání v knize
Výsledky 1-5 z 38
Strana v
... Proper application of Prosodial names of Greek and Latin Feet to English words . - Mode of measuring English Verse with Artificial Pro- sody , contrasted with the mode of measuring it with Musical Cadences . - Errors of English ...
... Proper application of Prosodial names of Greek and Latin Feet to English words . - Mode of measuring English Verse with Artificial Pro- sody , contrasted with the mode of measuring it with Musical Cadences . - Errors of English ...
Strana xiii
... proper to put into their hands those school - books , which are compiled of selections of prose and verse , but which ought to be of verse and prose , or at that age or state of improvement when they generally begin to learn the English ...
... proper to put into their hands those school - books , which are compiled of selections of prose and verse , but which ought to be of verse and prose , or at that age or state of improvement when they generally begin to learn the English ...
Strana 5
... proper examination , that very rarely , indeed , are any of them the consequence of physical organization , but have their origin in the causes above mentioned . All of them might be prevented by proper , early , initiation ; - all of ...
... proper examination , that very rarely , indeed , are any of them the consequence of physical organization , but have their origin in the causes above mentioned . All of them might be prevented by proper , early , initiation ; - all of ...
Strana 9
... proper management , it can produce , but are frequently unable to regulate its simplest tones . We find this defect prevalent in every kind of public speaking.- The experience of centuries , therefore , authorises this assertion , that ...
... proper management , it can produce , but are frequently unable to regulate its simplest tones . We find this defect prevalent in every kind of public speaking.- The experience of centuries , therefore , authorises this assertion , that ...
Strana 11
... proper symbols to represent them to the eye , has pre- vailed till the present day , with the single exception of the Prosodia Rationalis , already mentioned . Besides , ever since the era when the Greek poet and musician ceased to be ...
... proper symbols to represent them to the eye , has pre- vailed till the present day , with the single exception of the Prosodia Rationalis , already mentioned . Besides , ever since the era when the Greek poet and musician ceased to be ...
Obsah
1 | |
CHAP II | 17 |
CHAP III | 40 |
CHAP IV | 65 |
CHAP V | 82 |
CHAP VI | 91 |
Rhythm Ancient Rhythm whatEssentials | 100 |
CHAP IX | 116 |
Three hundred and eightyeight questions | 232 |
CHAP XV | 251 |
Set to the Music of Specch | 252 |
The Soldiers Dream Ditto | 260 |
The Contented Miller | 266 |
The Swollen Torrent | 274 |
Hohenlinden an Epic Song | 280 |
Set to the Music of Speech | 299 |
CHAP X | 128 |
CHAP XI | 142 |
CHAP XII | 153 |
CHAP XIII | 183 |
CHAP XIV | 222 |
Battle of Waterloo | 325 |
The Rainbow | 332 |
The Temple of Jerusalem | 338 |
Hamlets Directions to the Players | 345 |
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Běžně se vyskytující výrazy a sousloví
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllables honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words
Oblíbené pasáže
Strana 346 - Who is here so base, that would be a bondman ? If any, speak ; for him have I offended. Who is here so rude, that would not be a Roman ? If any, speak ; for him have I offended. Who is here so vile, that will not love his country? If any, speak ; for him have I offended — I pause for a reply.
Strana 346 - Romans, countrymen, and lovers! hear me for my cause ; and be silent that you may hear : believe me for mine honour; and have respect to mine honour, that you may believe: censure me in your wisdom; and awake your senses that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say, that Brutus' love to Caesar was no less than his.
Strana 345 - Nor do not saw the air too much with your hand, thus ; but use all gently : for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
Strana 346 - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but, as he was ambitious, I slew him.
Strana 347 - Here comes his body, mourned by Mark Antony: who, though he had no hand in his death , shall receive the benefit of his dying, a place in the commonwealth ; As which of you shall not ? With this I depart ; That, as I slew my bes't lover" for the good of Rome, I have the same dagger for myself, when it shall please my country to need my death.
Strana 344 - She'd come again, and with a greedy ear • Devour up my discourse: which I, observing, Took once a pliant hour, and found good means To draw from her a prayer of earnest heart That I would all my pilgrimage dilate...
Strana 345 - Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve ; the censure of the which one, must, in your allowance, o'erweigh a whole theatre of others. Oh, there be players, that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians, nor the gait of Christian, pagan, nor man, have so strutted, and bellowed, that I have thought some of nature's journeymen had made men,...
Strana 343 - Their dearest action in the tented field, And little of this great world can I speak, More than pertains to feats of broil and battle, And therefore little shall I grace my cause In speaking for myself.
Odkazy na tuto knihu
"Rede, dass ich Dich sehe": Carl Gustav Jochmann und die Rhetorik im Vormärz Markus Fauser Zobrazení fragmentů - 1986 |