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" We know not yet what we shall be, nor will it ever enter into the heart of man to conceive the glory that will be always in reserve for him. The soul, considered with its Creator, is like one of those mathematical lines ' that may draw nearer to another... "
The London encyclopaedia, or, Universal dictionary of science, art ... - Strana 2
upravili:
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The Spectator: ...

1718 - 348 str.
...PofllblHty of touching it: And can there be a Thought foTranfporting, as to confider our felves in thefe perpetual Approaches to him, who is not only the Standard of Perfection but of Happinefs! : L Pyth. I Am always very wellpleaftd v/ith sCoUfMty Sunday, and think, if keeping holy...
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The Spectator, Svazek 2

1729 - 342 str.
...that will be always in Referve for him. The Soul confidered with its Creator, is like one of tho/e Mathematical Lines that may draw nearer to another for all Eternity without a Poffibility of touching it : And can there be a Thought fo Tranfporting, as to confider our felves...
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The Speaker: Or, Miscellaneous Pieces, Selected from the Best English ...

William Enfield - 1785 - 460 str.
...be always in referve for him. The foul, confidered in relation, to its Creator, is like one of thofe mathematical lines that may draw nearer to another for all eternity, without a poffibility of touching it : and can there be a thought fo tranfporting, as to confider ourfelves in...
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Harrison's British Classicks, Svazek 4

1786 - 694 str.
...that will be always in referve for him. The £bul, considered with if» Creator, is like one of thofe mathematical lines that may draw nearer to another for all eternity without a poffibility of touching it: and can there be a thought fur tranfporting, as to confider ourfelves in...
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Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the ...

William Scott - 1789 - 416 str.
...be always in referve for him. The (owl, confidered in relation to- its Creator, is like one of thofe mathematical lines that may draw nearer to another for all eternity, without a poffibility of touching it: and can there be a thought fo transporting, as to confider ourlelves in...
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Elegant Extracts: Or, Useful and Entertaining Passages in Prose, Selected ...

Vicesimus Knox - 1790 - 1058 str.
...that will be always in reftrve for him. The foul, confidcrcd with its Creator, is like one of thofe mathematical lines that may draw nearer to another for all eternity without a pofiibility of touching it : and can there be a thought fo tranfpcrting as to confider ourfelvcs in...
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The Prose epitome; or, Extracts, elegant, instructive, and entertaining ...

1792 - 494 str.
...that will be always in referve for him. The foul, confidcrcd with its Creator, is like one of thofe mathematical lines that may draw nearer to another for all eternity without a poffibility of touching it : and can, there be a thought fo tranfportrog as to confider ourfelves in...
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The English Reader: Or, Pieces in Prose and Poetry Selected from the Best ...

Lindley Murray - 1799 - 408 str.
...that will be always in referve for him. The foul, confidcred with -its Creator, is like one of thofe mathematical lines, that may draw nearer to another for all eternity, without a pofsibility of touching it : and can there be a thought fo tranfporting, as to confider ourfelves in...
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The British Essayists: The Spectator

Alexander Chalmers - 1802 - 366 str.
...glory that will be always in reserve for him. The soul, considered with its Creator, is like one of those mathematical lines that may draw nearer to another...not only the standard of perfection but of happiness ! L. * Those lines are what the geometricians call the asymptote) pf the hyperbola, and the allusion...
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The British essayists; with prefaces by A. Chalmers, Svazek 7

British essayists - 1802 - 342 str.
...glory that will be always in reserve for him. The soul, considered with its Creator, is like one of those mathematical lines that may draw nearer to another...not only the standard of perfection but of happiness ! L. * Those lines are what the geometricians call the asymptotes of the hyperbola, and the allusion...
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