A History of English Dramatic Literature to the Death of Queen Anne, Svazek 1Macmillan and Company, 1875 - Počet stran: 1247 |
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Strana x
... whole , and are prepared to waive the transitory distinctions drawn at various times by successive writers or schools of poets . The difference between the tragic and the comic drama is no essential difference of method . Each of them ...
... whole , and are prepared to waive the transitory distinctions drawn at various times by successive writers or schools of poets . The difference between the tragic and the comic drama is no essential difference of method . Each of them ...
Strana xi
... whole of it within his scope . Accordingly , every drama represents in organic sequence the five stages of which a complete action consists and which are essential to it . The introduction or exposition forms an integral part of the ...
... whole of it within his scope . Accordingly , every drama represents in organic sequence the five stages of which a complete action consists and which are essential to it . The introduction or exposition forms an integral part of the ...
Strana xxiv
... whole of the domain into which they had penetrated , so it was neither at once , nor with a consentaneous effort , that the national life of the several peoples of the West pursued the wide variety of paths suddenly opened before them ...
... whole of the domain into which they had penetrated , so it was neither at once , nor with a consentaneous effort , that the national life of the several peoples of the West pursued the wide variety of paths suddenly opened before them ...
Strana xl
... whole brisk , showing how after Prodigality had gained possession of Master Money , son of Dame Fortune , he lost his prize by his recklessness ; how Money then fell into the hands of Tenacity ( i . e . Avarice , who talks the usual ...
... whole brisk , showing how after Prodigality had gained possession of Master Money , son of Dame Fortune , he lost his prize by his recklessness ; how Money then fell into the hands of Tenacity ( i . e . Avarice , who talks the usual ...
Strana xlii
... sudden to create any moral impression . But the action is brisk , the tone healthy , and the writing vigorous , so that the whole furnishes a good ADDITIONS AND CORRECTIONS . xliii example of a class of xlii ADDITIONS AND CORRECTIONS .
... sudden to create any moral impression . But the action is brisk , the tone healthy , and the writing vigorous , so that the whole furnishes a good ADDITIONS AND CORRECTIONS . xliii example of a class of xlii ADDITIONS AND CORRECTIONS .
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acted action actors allusion already appears Bartholomew Fair Ben Jonson called century character Chronicle classical Collier comedy comic connexion course criticism Cynthia's Revels death doubt doubtless drama dramatic literature dramatist earlier edition Edward Edward II element Elisabethan England English entertainments euphuism Fletcher French genius German Gorboduc Hamlet hand Henry VI Henry VIII hero Hero and Leander humour influence introduced Italian Jonson kind King Klein Latin latter literary Locrine London Lord Lyly Lyly's Marlowe Marlowe's mask mentioned moral mysteries Old Plays original pageants passage period plot poem poet poetic popular printed probably produced Prologue published Queen Elisabeth reference reign religious resemblance Richard III scene seems Sejanus seqq Shak Shakesp Shakespeare Shakspere Shakspere's Shakspere's plays Spanish Spanish Tragedy species speech spere stage story theatre tion Titus Andronicus tragedy tragic translation verse writers written
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Strana 230 - Beauty is but a flower, Which wrinkles will devour: Brightness falls from the air; Queens have died young and fair; Dust hath closed Helen's eye; I am sick, I must die. Lord have mercy on us!
Strana 161 - If we shadows have offended. Think but this, and all is mended, That you have but slumber'd here, While these visions did appear. And this weak and idle theme, No more yielding but a dream, Gentles, do not reprehend: If you pardon, we will mend.
Strana 326 - Sir, the year growing ancient, Not yet on summer's death, nor on the birth Of trembling winter, — the fairest flowers o...
Strana 182 - Why this is hell, nor am I out of it : Think'st thou that I who saw the face of God, And tasted the eternal joys of Heaven, Am not tormented with ten thousand hells, In being deprived of everlasting bliss ? O Faustus ! leave these frivolous demands, Which strike a terror to my fainting soul.
Strana 560 - WEEP with me, all you that read This little story; And know, for whom a tear you shed Death's self is sorry. 'Twas a child that so did thrive In grace and feature As Heaven and Nature seemed to strive Which owned the creature.
Strana 326 - Yet nature is made better by no mean But nature makes that mean; so over that art, Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race. This is an art Which does mend nature — change it rather; but The art itself is nature.
Strana 540 - No doubt some mouldy tale, Like Pericles and stale As the shrieve's crusts, and nasty as his fish — Scraps, out of every dish Thrown forth, and raked into the common tub...
Strana 584 - All our English writers, I mean such as are happy in the Italian, Will deign to steal out of this author, mainly: Almost as much as from Montagnie: He has so modern and facile a vein, Fitting the time, and catching the court-ear!
Strana 368 - ... supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Strana 573 - ... so solemnly ridiculous, as to search out, who was meant by the gingerbread woman, who by the hobby-horse man, who by the costard-monger, nay, who by their wares.