Sir Philip Sidney and ArcadiaFairleigh Dickinson University Press, 1991 - Počet stran: 158 This book rejects the Calvinist and deconstructionist interpretations of Sidney and argues instead for a man of humane and generous sympathies who thought deeply about human experience and the art and function of writing. |
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Strana 20
... scene . " 9 The editor of the World's Classics edition , Kather- ine Duncan - Jones , appears to give pride of place to the earlier text rather than the later . Nevertheless , Sidney wanted to go beyond the early text . He did not ...
... scene . " 9 The editor of the World's Classics edition , Kather- ine Duncan - Jones , appears to give pride of place to the earlier text rather than the later . Nevertheless , Sidney wanted to go beyond the early text . He did not ...
Strana 35
... scene , although she is in fact innocent of that . The later developments of the story ( existing only in the Old Arcadia version ) contain a scene in which Pyrocles and Gynecia find themselves together in a cave , and their situations ...
... scene , although she is in fact innocent of that . The later developments of the story ( existing only in the Old Arcadia version ) contain a scene in which Pyrocles and Gynecia find themselves together in a cave , and their situations ...
Strana 127
... scenes , and though Sidney has nothing like the heath scene in King Lear , he too knows that a situation can be at the same time both tragic and comic . He switches moods , sometimes he fuses them , and he plays along the range of irony ...
... scenes , and though Sidney has nothing like the heath scene in King Lear , he too knows that a situation can be at the same time both tragic and comic . He switches moods , sometimes he fuses them , and he plays along the range of irony ...
Obsah
Contents | 11 |
Heroes and Heroics | 27 |
Stella and the Growth of the Heroine | 42 |
Autorská práva | |
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accept action allowed Amphialus Amphialus's appear Argalus Astrophil attempt attention Basilius beauty becomes beginning believes better called Cecropia character claims clear comes course critical danger deal death debate desire developed earlier effect Elizabethan English English Studies episode Erona evidence evil example experience fact falls feeling follows further given gives goes Greville Gynecia hand heart hope human important interest killed kind king knows later lived London lover means mind moral narrative nature never Old Arcadia once original Pamela passion Philanax Philip Philoclea Plangus Poetry present Press princes princesses Pyrocles and Musidorus question reader reason relation response revised role scene seems shows Sidney Sidney's situation stands Stella story Studies tells thinking thought treatment University virtue whole woman women writing young Zelmane