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may be her ruin. In a word, lace and ribbands, silver and gold galoons", with the like glittering gewgaws, are so many lures to women of weak minds or low education, and, when artificially displayed, are able to fetch down the most airy coquette from the wildest of her flights and rambles.

True happiness is of a retired nature, and an enemy to pomp and noise it arises, in the first place, from the enjoyment of one's self; and in the next, from the friendship and conversation of a few select companions: it loves shade and solitude, and 10 naturally haunts groves and fountains, fields and meadows; in short, it feels everything it wants within itself, and receives no addition from multitudes of witnesses and spectators. On the contrary, false happiness loves to be in a crowd, and to draw the eyes of the world upon her. She does not receive any satisfaction from the applauses which she gives herself, but from the admiration which she raises in others. She flourishes in courts and palaces, theatres and assemblies, and has no existence but when she is looked upon.

Aurelia, though a woman of great quality, delights in the 20 privacy of a country life, and passes away a great part of her time in her own walks and gardens. Her husband, who is her bosom friend, and companion in her solitudes, has been in love with her ever since he knew her. They both abound with good sense, consummate virtue, and a mutual esteem; and are a perpetual entertainment to one another. Their family is under so regular an œconomy, in its hours of devotion and repast, employment and diversion, that it looks like a little commonwealth within itself. They often go into company, that they may return with the greater delight to one another; and sometimes live in town, not 30 to enjoy it so properly as to grow weary of it, that they may renew in themselves the relish of a country life. By this means they are happy in each other, beloved by their children, adored by their servants, and are become the envy, or rather the delight, of all that know them.

How different to this is the life of Fulvia! she considers her husband as her steward, and looks upon discretion and good housewifery as little domestic virtues, unbecoming a woman of quality. She thinks life lost in her own family, and fancies herself out of the world when she is not in the Ring 1, the play-house,

1 See note to page 83.

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or the drawing-room: she lives in a perpetual motion of body and restlessness of thought, and is never easy in any one place, when she thinks there is more company in another. The missing of an opera the first night, would be more afflicting to her than the death of a child. She pities all the valuable part of her own sex, and calls every woman of a prudent modest retired life, a poor-spirited and unpolished creature. What a mortification would it be to Fulvia, if she knew that her setting herself to view is but exposing herself, and that she grows contemptible by being 10 conspicuous?

I cannot conclude my paper, without observing, that Virgil has very finely touched upon this female passion for dress and show, in the character of Camilla; who, though she seems to have shaken off all the other weaknesses of her sex, is still described as a woman in this particular. The poet tells us, that, after having made a great slaughter of the enemy, she unfortunately cast her eye on a Trojan, who wore an embroidered tunic, a beautiful coat of mail, with a mantle of the finest purple. 'A golden bow,' says he, 'hung upon his shoulder; his garment was buckled with 20 a golden clasp; and his head covered with a helmet of the same shining metal.' The Amazon immediately singled out this well dressed warrior, being seized with a woman's longing for the pretty trappings that he was adorned with.

Totumque incauta per agmen

Fœmineo prædæ et spoliorum ardebat amore.

This heedless pursuit after these glittering trifles, the poet, by a nice concealed moral, represents to have been the destruction of his female hero.-C.

K

No. 23. Against the authors of libels and lampoons; Socrates and
Aristophanes; Cæsar and Catullus; Cardinal Mazarin and
Quillet; Sixtus V and Pasquin; Aretine; fable of the frogs and
the boys.

Sævit atrox Volscens, nec teli conspicit usquam
Auctorem, nec quo se ardens immittere possit.

VIRG. Æn. ix. 420.

Fierce Volscens foams with rage, and gazing round
Descry'd not him who gave the fatal wound;
Nor knew to fix revenge.

DRYDEN.

There is nothing that more betrays a base ungenerous spirit, than the giving of secret stabs to a man's reputation. Lampoons and satires, that are written with wit and spirit, are like poisoned darts, which not only inflict a wound, but make it incurable. For this reason I am very much troubled when I see the talents of humour and ridicule in the possession of an ill-natured man. There cannot be a greater gratification to a barbarous and inhuman wit, than to stir up sorrow in the heart of a private person, to raise uneasiness among near relations, and to expose whole 10 families to derision, at the same time that he remains unseen and undiscovered. If, besides the accomplishments of being witty and ill-natured, a man is vicious into the bargain, he is one of the most mischievous creatures that can enter into a civil society. His satire will then chiefly fall upon those who ought to be the most exempt from it. Virtue, merit, and everything that is praiseworthy, will be made the subject of ridicule and buffoonery. is impossible to enumerate the evils which arise from these arrows that fly in the dark, and I know no other excuse that is or can be made for them, than that the wounds they give are only 20 imaginary, and produce nothing more than a secret shame or sorrow in the mind of the suffering person. It must indeed be confessed, that a lampoon or a satire do not carry in them robbery or murder; but at the same time, how many are there that would not rather lose a considerable sum of money, or even life itself, than be set up as a mark of infamy and derision? and in this case a man should consider that an injury is not to be measured by the notions of him that gives, but of him that receives it.

It

Those who can put the best countenance upon the outrages of this nature which are offered them, are not without their secret

SATIRES AND LAMPOONS.

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anguish. I have often observed a passage in Socrates's behaviour at his death", in a light wherein none of the critics have considered it. That excellent man, entertaining his friends, a little before he drank the bowl of poison, with a discourse on the immortality of the soul, at his entering upon it, says, that he does not believe any the most comic genius can censure him for talking upon such a subject at such a time. This passage, I think, evidently glances upon Aristophanes, who writ a comedy " on purpose to ridicule the discourses of that divine philosopher. It has been observed 10 by many writers, that Socrates was so little moved at this piece of buffoonery, that he was several times present at its being acted upon the stage, and never expressed the least resentment at it. But, with submission, I think the remark I have here made shews us, that this unworthy treatment made an impression upon his mind, though he had been too wise to discover it.

When Julius Cæsar was lampooned by Catullus, he invited him to a supper, and treated him with such a generous civility, that he made the poet his friend ever after. Cardinal Mazarin gave the same kind of treatment to the learned Quillet, who had 20 reflected upon his Eminence in a famous Latin poem. The Cardinal sent for him, and after some kind expostulations upon what he had written, assured him of his esteem; and dismissed him with a promise of the next good abbey that should fall, which he accordingly conferred upon him in a few months after. This had so good an effect upon the author, that he dedicated the second edition of his book to the Cardinal, after having expunged the passages which had given him offence.

Sextus Quintus was not of so generous and forgiving a temper. Upon his being made pope, the statue of Pasquin " was one night 30 dressed in a very dirty shirt, with an excuse written under it, that he was forced to wear foul linen, because his laundress was made a princess. This was a reflexion upon the pope's sister, who, before the promotion of her brother, was in those mean circumstances that Pasquin represented her". As this pasquinade made a great noise in Rome, the pope offered a considerable sum of money to any person that should discover the author of it. The author relying upon his Holiness's generosity, as also on some private overtures which he had received from him, made the discovery himself; upon which the pope gave him the reward he had promised, but at the same time, to disable the satirist for the

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future, ordered his tongue to be cut out, and both his hands to be chopped off". Aretine is too trite an instance". Every one knows that all the kings in Europe were his tributaries. Nay, there is a letter of his extant, in which he makes his boasts that he had laid the Sophy of Persia under contribution.

Though, in the various examples which I have here drawn together, these several great men behaved themselves very differently towards the wits of the age who had reproached them, they all of them plainly shewed that they were very sensible of 10 their reproaches, and consequently that they received them as very great injuries. For my own part, I would never trust a man that I thought was capable of giving these secret wounds; and cannot but think that he would hurt the person, whose reputation he thus assaults, in his body or in his fortune, could he do it with the same security. There is indeed something very barbarous and inhuman in the ordinary scribblers of lampoons. An innocent young lady shall be exposed, for an unhappy feature; a father of a family turned to ridicule, for some domestic calamity; a wife be made uneasy all her life, for a misinterpreted word or action; 20 nay, a good, a temperate, and a just man, shall be put out of countenance by the representation of those qualities that should do him honour. So pernicious a thing is wit when it is not tempered with virtue and humanity.

So.

I have indeed heard of heedless inconsiderate writers, that without any malice have sacrificed the reputation of their friends and acquaintance, to a certain levity of temper, and a silly ambition of distinguishing themselves by a spirit of raillery and satire: as if it were not infinitely more honourable to be a good-natured man, than a wit. Where there is this little petulant humour in 30 an author, he is often very mischievous without designing to be For which reason I always lay it down as a rule, that an indiscreet man is more hurtful than an ill-natured one; for as" the latter will only attack his enemies, and those he wishes ill to; the other injures indifferently both friends and foes. I cannot forbear, on this occasion, transcribing a fable out of Sir Roger L'Estrange", which accidentally lies before me. 'A company of waggish boys were watching of frogs at the side of a pond, and still as any of them put up their heads, they'd be pelting them down again with stones. Children, says one of the frogs, you never 40 consider, that though this may be play to you, it is death to us'

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