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APPEARANCE (hasty) (570).
And, in good time, here comes the sweating lord.

Buckingham. Richard III., Act iii. Sc. I.
APPEARANCES (not to be relied on) [606].
But all hoods make not monks.

Queen Katharine. Henry VIII., Act iii. Sc. I. APPEARANCES (not to be relied on) [190].

All that glisters is not gold;

Prince of Morocco. Merchant of Venice, Act ii. Sc. 7. APPETITE [814]. —See also BREAKFAST.

As if increase of appetite had grown
By what it fed on:

Hamlet. Hamlet, Act i. Sc. 2.
APPLAUSE [807].
I would applaud thee to the very echo,

Macbeth. Macbeth, Act v. Sc. 3. APPLES [233].

there's small choice in rotten apples.

Hortensius. Taming of the Shrew, Act i. Sc. 1. APRICOCKS [372]. Go, bind thou up yon dangling apricocks,

Gardener. Richard II., Act iii. Sc. 4. ARCHERY [182].

when I had lost one shaft,
I shot his fellow of the self-same flight
The self-same way with more advised watch,
To find the other forth, and by adventuring both
I oft found both:

Bassanio. Merchant of Venice, Act i. Sc. I.

ARGUMENT [623].

I cannot fight upon this argument;
It is too starved a subject for my sword.

Troilus. Troilus and Cressida, Act i. Sc. 1.

ARGUMENT (angry) (948).

. . enough of this: it came in too suddenly;
let it die as it was born, and, I pray you, be
better acquainted.

Philario. Cymbeline, Act i. Sc. 4.
ARISTOCRATS [881].
The wealthy curled darlings of our nation,

Brabantio. Othello, Act i. Sc. 2.

ARMY (English) (335).

.... a braver choice of dauntless spirits
Than now the English bottoms have waft o'er
Did never float upon the swelling tide,

Chatillon. King John, Act ii. Sc. I.
ARMY (defeated) (458].

Big Mars seems bankrupt in their beggar'd host
And faintly through a rusty beaver peeps :
The horsemen sit like fixed candlesticks,
With torch-staves in their hand; and their poor

jades
Lob down their heads, dropping the hides and

hips,
The gum down-roping from their pale-dead eyes,
And in their pale dull mouths the gimmal bit
Lies foul with chew'd grass, still and motionless;
And their executors, the knavish crows,
Fly o’er them, all impatient for their hour.

Grandpré. Henry V., Act iv. Sc. 3.

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ARTISTS (984).

In framing an artist, art hath thus decreed,
To make some good, but others to exceed;

Simonides. Pericles, Act ii. Sc. 3.

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Ass (128].

O that he were here to write me down an ass !

Dogberry. Much Ado about Nothing, Act iv. Sc. 2.

ASSOCIATES (766].

Let me have men about me that are fat:
Sleek-headed men and such as sleep o ’nights:
Yond Cassius has a lean and hungry look;
He thinks too much : such men are dangerous.

Cæsar. Julius Cæsar, Act i. Sc. 2.

ASSOCIATIONS (the value of) (434).

.... It is certain that either wise bearing or

ignorant carriage is caught, as men take dis-
eases, one of another : therefore let men take
heed of their company.

Falstaff. 2nd Henry IV., Act v. Sc. I.

ASSURANCE (802).
But yet I'll make assurance doubly sure,

Macbeth. Macbeth, Act iv. Sc. I.

ATTIRE [213]

Motley's the only wear.

Jaques. As You Like It, Act ii. Sc. 7.

ATTIRE (789).
So wither'd and so wild in their attire,

Banquo. Macbeth, Act i. Sc. 3.

ATTRACTION (769).
It is the bright day that brings forth the adder;

Brutus. Julius Cæsar, Act ii. Sc. I.

ATTRACTIVENESS [828].
here's metal more attractive.

Hamlet. Hamlet, Act iii. Sc. 2.

AUTHORITY (dissolved) (350).

and vast confusion waits,
As doth a raven on a sick-fall’n beast,
The imminent decay of wrested pomp.

Bastard. King John, Act iv. Sc. 3.

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AUTHORITY [74].

but man, proud man,
Drest in a little brief authority,
Most ignorant of what he's most assured,
His glassy essence, like an angry ape,
Plays such fantastic tricks before high heaven
As make the angels weep;

Isabella. Measure for Measure, Act ii. Sc. 2.
AUTHORITY [74].

Because authority, though it err like others,
Hath yet a kind of medicine in itself,
That skins the vice o' the top.

Isabella. Measure for Measure, Act ii. Sc. 2.
BABIES [70].

The baby beats the nurse, and quite athwart
Goes all decorum.

Duke. Measure for Measure, Act i. Sc. 3.
BANISHMENT (360).

gild my banishment.

Bolingbroke. Richard II., Act i. Sc. 3.
BANNERS [808].
Hang out our banners on the outward walls;

Macbeth. Macbeth, Act v. Sc. 5.
BANQUET (718].
We have a trifling foolish banquet towards.

Capulet. Romeo and Juliet, Act i. Sc. 5.
BANQUET (all ready) (716).

Madam, the guests are come, supper served up,

you called, my young lady asked for, the nurse
cursed in the pantry, and every thing in ex-
tremity.

Servant. Romeo and Juliet, Act i. Sc. 3.
BANQUET (770].
Let's carve him as a dish fit for the gods,

Brutus. Julius Cæsar, Act ii. Sc. I.
BANQUET (677).
A goodly house: the feast smells well;

Coriolanus. Coriolanus, Act iv. Sc. 5.

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BASILISK [955].
It is a basilisk unto mine eye,

Posthumus. Cymbeline, Act ii. Sc. 4.
BASILISKS [559].
Would they were basilisks, to strike thee dead !

Anne. Richard III., Act i. Sc. 2. BEACHED MARGENT [165].

the beached margent of the sea,

Titania. Midsummer Night's Dream, Act ii. Sc. I. BEAUTY [638].

The beauty that is borne here in the face
The bearer knows not, but commends itself,
To others' eyes;

Achilles. Troilus and Cressida, Act iii. Sc. 3. BEAUTY (in woman) [718].

she hangs upon the cheek of night Like a rich jewel in an Ethiope's ear; Beauty too rich for use, for earth too dear!

Romeo. Romeo and Juliet, Act i. Sc. 5. BEAUTY [139].

my beauty, though but mean,
Needs not the painted flourish of your praise:
Beauty is bought by judgement of the eye,
Not utter'd by base sale of chapmen's tongues :

Princess. Love's Labour's Lost, Act ii. Sc. I. BEAUTY (a witch) [116].

... for beauty is a witch
Against whose charms faith melteth into blood.

Claudio. Much Ado about Nothing, Act ii. Sc. I.
BEAUTY [149].
Without the beauty of a woman's face?

Biron. Love's Labour's Lost, Act iv. Sc. 3. BEAUTY [233]. O yes, I saw sweet beauty in her face,

Lucentio. Taming of the Shrew, Act i. Sc. I.

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