 | George Eliot - 1885 - 512 str.
...prompt return of the MS., which Letter to John Ulnckamved this morning. wood, 24th July 1671. I don t see how I can leave anything out, because I hope there...which have not been from time immemorial the beaten path — the Cremorne walks and shows of fiction. But the best intentions are good for nothing until... | |
 | George Eliot - 1885 - 370 str.
...irrelevant Blackr ° wood, J4th to my design, which is to show the gradual action of Ju'y. 'S71ordinary causes rather than exceptional, and to show this in...which have not been from time immemorial the beaten path — the Cremorne walks and shows of fiction. But the best intentions are good for nothing until... | |
 | Clarence Howard Clark - 1888 - 606 str.
...Study of Provincial Life. 3 vols. (1872.) •.• George Eliot defined her design in this novel to be " to show the gradual " action of ordinary causes rather than exceptional, and to show this in some di" rections which have not been from time immemorial the beaten path, the Cre" morne walks, and shows... | |
 | Oscar Browning - 1890 - 200 str.
...plan, however, must have been formulated by July, at the close of which she wrote to Mr. Blackwood : " I don't see how I can leave anything out, because...which have not been from time immemorial the beaten path — the Cremorne walks and shows of fiction. But the best intentions are good for nothing until... | |
 | George Eliot - 1890 - 328 str.
...sustained the reputation of its prose predecessors. To quote the author, the design of " Middlemarch " is "to show the gradual action of ordinary causes rather than exceptional." If the reader keep this thought in •view, the whole sad history of Lydgate and Eosamond, the relations... | |
 | George Eliot - 1895 - 418 str.
...Letter to arrived this morning. iSS,^ I don't see how I can leave anything out, because Julyt 1W1' I hope there is nothing that will be seen to be irrelevant...which have not been from time immemorial the beaten path, — the Cremorne walks and shows of fiction. But the best intentions are good for nothing until... | |
 | George Eliot - 1900 - 330 str.
...her artistic desire for unity and completeness appears in a later letter * to the same friend — " I don't see how I can leave anything out, because...that will be seen to be irrelevant to my design." SILAS MAENER It is possible that George Eliot's desire for fullness of treatment, her anxiety to give... | |
 | George Eliot - 1908 - 386 str.
...Mr. William Blackwood. Thanks for the prompt return of the MS., which tetter to arrived this morning. I don't see how I can leave anything out, because...my design, which is to show the gradual action of ordi[ 83 ] Letter to nary causes rather than exceptional, and to show this some directions which have... | |
 | Anna Theresa Kitchel - 1921 - 354 str.
...do, - she has shown "the gradual action of ordinary causes rather than exceptional", and has shown this "in some directions which have not been from time immemorial the beaten path". To the fulfilment of this purpose she brought an immense amount of thought and an immense amount... | |
 | Joan Bennett - 1962 - 228 str.
...1871, by which time Blackwood had received a considerable part of the manuscript, she wrote to him: I don't see how I can leave anything out, because...which have not been from time immemorial the beaten path — the Cremorne walks and shows of fiction. But the best intentions are good for nothing until... | |
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I don't see how I can leave anything out, because I hope there is nothing that will be seen to be irrelevant to my design, which is to show the gradual action of ordinary causes rather than exceptional... 
